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The painter Joan Miró was born in Barcelona in 1893 and died in Mallorca in 1983. He produced works in a variety of different styles, …
Mitchell, Joan
1990 Original lithograph in colors Signed by the artist in pencil and numbered 30 x 22 inches (76.2 x 55.9 cm) Edition of 125 SOLD
1981 (from The Bedford Series) Original lithograph in two colors on Arches wove paper Signed by the artist in pencil, and numbered 42 5/8 x 32 1/2 in. (108.3 x 82.6 cm.) Edition of 70 Printed by Tyler Graphics, Mt. Kisco, NY with their blind stamp Illustrated in Martin Friedman, ed. Tyler Graphics: The Extended Image (Minneapolis: Walker Art Center, 1987), p. 76. SOLD
1992 Original lithograph in colors on wove paper 6 3/8 x 5 in. (16 x 12.5 cm), unframed From the unsigned edition 1000 Printed by Tyler Graphics, Mt. Kisco, NY (created in remembrance of the artist at her death by Kenneth Tyler) (In the permanent collection of The Museum of Fine Arts, Houston, TX) SOLD
1992 Original etchings with aquatint in colors on three sheets of Rives BFK paper Signed in pencil, dated and numbered 9 1/4 x 22 in. (23.5 x 56 cm), unframed Edition of 30 + 8 AP Published by Tyler Graphics, Mt. Kisco, NY SOLD
1972 Color etching Signed by the artist in pencil, and numbered 35 ½ x 25 inches (90.2 x 63.5 cm) Edition of 75 + proofs (EA) (Printed by Arte Adrien Maeght, Paris; published by Maeght Editeur, Paris) SOLD
1990 Original lithograph in colors Signed in pencil, and numbered 22 1/4 x 19 1/2 in (56.5 x 49.5 cm), unframed Edition of 94 SOLD
1991 Original lithograph on Arches vellum in colors Signed by the artist in pencil and numbered 30 x 22 inches (76.2 x 56 cm), unframed Edition of 125 SOLD
1991 Original lithograph on Arches vellum in colors Signed by the artist in pencil and numbered 30 x 22 inches (76.2 x 56 cm), unframed Edition of 125 SOLD
In speaking of Mitchell, others tell us of her physical materiality – how she exudes the visual sentiments of nature – the objectivity of her painting, devoid of anecdote or theater and in her own words “to convey the feeling of the dying sunflower.” Joan Mitchell as an abstract expressionist composes with long curvilinear strokes or broad stains of color, contrasting warm and cool, often on unprimed canvases. Her perceptions enrich her work with a fascinating sense of the unfinished. Joan Mitchell demonstrated in painting just as in life, anything can happen.