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Candida Hofer is an architectural photographer. Her photographs are quiet and grave, yet filled with color and incident. For the most part empty of human …
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David Hockney has received great critical acclaim. From the representational nature of his more serious portraits to the depictions of the Californian landscape, his style …
Hodgkin, Howard
1981-82 Original lithograph with hand-coloring on Arches paper Signed in pencil, dated and numbered 36 x 60 in. (91.5 x 152.5 cm), unframed Edition of 100 (H. 67) SOLD
1986 Color etching and aquatint with carborundum and hand-coloring Monogrammed by the artist in pencil, dated and numbered 18 1/2 x 25 1/4 in. (47 x 64 cm), unframed Edition of 100 (H. 73) SOLD
2015 Original screenprint in colors on Somerset mould-made paper with deckled edges Monogrammed in pencil, dated and numbered 16 7/8 x 18 1/2 in. (43 x 47 cm), unframed Edition of 75 SOLD
1986 Original lift-ground etching with aquatint and carborundum with hand-coloring Monogrammed by the artist in pencil, dated and numbered 24 x 30 (61 x 76 cm), unframed Edition of 100 (H. 74) SOLD
2003 Original screenprint in colors on wove paper Monogrammed by the artist in pencil, dated and numbered 32 3/8 x 36 1/4 in. (82.2 x 91.7 cm) Edition of 108 (Published by Lincoln Center for the Performing Arts, NYC) SOLD
1980 Etching with hand-coloring Signed and numbered 32 ½ x 41 Edition of 100 SOLD
1979-85 Etching with hand-coloring Signed and numbered 8 ¼ x 11 in Edition of 100 SOLD
1979 Etching with hand-coloring Signed and numbered 29 ½ x 39 in Edition of 100 SOLD
1980 Lithograph with hand-coloring in two panels Signed and numbered 44 x 55 ¼ in (combined size) Edition of 100 SOLD
1982 Lithograph with hand-coloring Signed and numbered 36 x 48 in Edition of 100 SOLD
1980 Original screenprint in colors with embossing on Arches wove paper Signed by the artist in pencil, dated, and numbered 31 1/2 x 42 1/8 in. (80 x 107 cm), unframed Edition of 100 (Heenk 222) SOLD
Hodgkin has also produced many prints, with a preference for screen-printing and lithography in his earlier works of the 60’s and 70’s. However, for his more recent work, Hodgkin has favored etchings and aquatint, as these provide a greater emphasis on texture. To further create a layering effect in his prints, Hodgkin sometimes hand-colors the image after printing.
In 1985, Hodgkin won the Turner Prize and took part in the Venice Biennale. He taught for some years at the Charterhouse School, then the Bath Academy of Art, and finally the Chelsea School of Art. He continues to exhibit frequently. The Tate Gallery in London has an impressive collection of his work.