-
Called by Sake *
1993
Original woodcut, collagraph and photo-engraving in colors on Rives paper
Signed in pencil, dated and numbered
30 x 23 1/2 in. (76.2 x 59.7 cm), unframed
Edition of 36 + 8 AP
SOLD
-
Confetti Heart *
1970
Original lithograph in colors, with collage
Signed in pencil (recto), numbered (verso)
8 ¼ x 8 ½ in. (21 x 22 cm), unframed
Edition of 200
(Published by Petersburg Press, London)
SOLD
-
Jerusalem Plant #5 *
1982
Original lithograph on St. Armand paper
Signed, dated and numbered in pencil
39 ½ x 30 in. (100.3 x 76.2 cm), unframed
Edition of 9
SOLD
-
The Astra Tool *
1985
Original lithograph in colors on wove paper
Signed in pencil, dated and numbered
35 x 25 in. (89 x 63.5 cm), unframed
Edition of 400
SOLD
-
The Colorful Venus *
1985
Original lithograph in colors on wove paper
Signed by the artist in pencil, dated and numbered
34 3/4 x 24 3/4 in. (88.3 x 63 cm)
Edition of 400
SOLD
-
The Jewish Heart *
1982
Original etching on hand-made Richard de Bas floral paper
Signed in pencil, dated and numbered
26 ¼ x 20 ¼ in. (66.7 x 51.4 cm), unframed
Edition of 100
SOLD
-
The Little Heart in the Landscape *
1991
Drypoint and etching printed in red and black
Signed by the artist in pencil, dated and annotated “AP”
15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed
Edition of 100 + 25 AP
(annotated in artist’s handwriting at bottom,
Happy B Day, Claire. Love from Nancy and Me.
June 29, 1994.)
SOLD
-
The Mighty Robe
Jim Dine, The Mighty Robe, 1985
Original lithograph in colors on wove paper
Signed by the artist in pencil, dated and numbered
34 ¾ x 24 ¾ in. (88.3 x 63 cm)
Edition of 400 + 50 AP
INQUIRE
-
The New Year's Tree *
1985
Original lithograph in colors on wove paper
Signed in pencil, dated and numbered
35 x 25 in. (89 x 63.5 cm), unframed
Edition of 400
SOLD
-
The Philadelphia Heart *
1984
Soft-ground etching, drypoint and aquatint
Hand-signed by the artist in pencil, dated and numbered
12 x 11 inches (30.5 x 27.9 cm), image
26 ¼ x 19 ⅞ inches (66.7 x 50.5 cm), sheet
Edition of 35
Printed by Aldo Crommelnyck at Atelier Crommelnyck, Paris
Published by Friends of the Philadelphia Museum of Art
SOLD
-
Two Hearts at Sunset *
2005
Original lithograph on Rives paper
Signed in pencil, dated and numbered
19 x 25 ½ in. (48.3 x 64.8 cm), unframed
Edition of 200
SOLD
-
Two Hearts for Best Buddies *
1995
Original woodcut, photoengraving, and colograph with hand-coloring
Signed in pencil, dated and numbered
31 x 42 in. (106.7 x 78.7 cm), unframed
Edition of 60
(Carpenter 96)
SOLD
-
Untitled
1996
Six-color woodcut
Signed in pencil and numbered
26 1/8 x 19 1/2 in. (66.4 x 49.5 cm)
Edition of 100
INQUIRE
-
Untitled *
1979
Etching and aquatint with unique hand coloring on two sheets (diptych)
Signed by the artist in white pencil, dated and numbered
41 x 58 1/2 in. (104 x 149 cm.)
Edition of 16
SOLD
-
Using White over Black *
2017
Woodcut and copperplate etching on Hahnemuhle warm white paper
Signed by the artist, dated and numbered in pencil
50 ¼ x 42 in. (127.6 x 106.7 cm.) unframed
Edition of 10
SOLD
-
Viennese Heart II *
1990
(from The Hand-Colored Viennese Hearts portfolio)
Original screenprint, soft-ground etching, and aquatint with hand-coloring on Velin Arches White paper
Signed, dated, and numbered in pencil
47 x 36 ½ in. (119.4 x 92 cm.), unframed
Edition of 40
(C.34.2)
SOLD
-
Viennese Heart IV *
(From the Viennese Hearts suite)
1990
Screenprint in color with soft-ground etching, aquatint and hand-coloring on Arches paper
Signed by the artist in pencil, dated and numbered
47 x 36 ¼ inches (119.4 x 92.1 cm)
Edition of 40 + 10 AP
(C. 34.4)
SOLD
-
Viennese Hearts VII *
(From the Viennese Hearts suite)
1990
Screenprint in color with soft-ground etching, aquatint and hand-coloring on Arches paper
Signed by the artist in pencil, dated and numbered
47 x 36 ¼ inches (119.4 x 92.1 cm)
Edition of 40 + 10 AP
(C. 34.7)
SOLD
-
Woodcut Heart
1993
Original color woodcut
Hand-monogrammed by the artist in pencil, and numbered
23 x 18 inches (58.4 x 45.7 cm)
Edition of 500
INQUIRE
-
Pinocchio Coming from the Green *
2011
Original lithograph in colors
Signed by the artist in pencil and numbered
30 x 22 inches (76.2 x 55.9 cm)
Edition of 75
SOLD
-
The Sky and Lilies
1998
Intaglio and screenprint with hand-coloring
Signed by the artist in pencil and numbered
30 x 41 inches (77 x 104 cm)
Edition of 25
INQUIRE
-
Red Ochre Flowers *
1978
Etching and aquatint with drypoint and engraving on Fabriano Classico paper
Hand-signed by the artist in pencil, dated and numbered
39 ¼ x 27 ½ inches (99.7 x 69.8 cm)
Edition of 45
SOLD
-
Pinocchio *
2008
Screenprint and woodcut in colors
Signed in pencil and numbered
37 x 27 inches (94 x 68.6 cm)
Edition of 118
SOLD
-
Louisiana Hearts *
1982
Lithograph
Signed in pencil, numbered and dated
17 ¾ x 17 ½ inches (45.1 x 44.5 cm)
Edition of 100
SOLD
-
A Heart on the Rue de Grenelle *
1981
Soft-ground etching and aquatint
Signed and numbered
50 x 29 ½ in
Edition of 36
SOLD
-
Aldo at Père Lachaise *
2010
Soft ground etching with drypoint on one sheet made of three joined pieces of paper
Signed by the artist in pencil, numbered
28 1/8 x 63 1/8 inches (71.5 x 160.5 cm)
Edition of 15
SOLD
-
Big Red Wrench in Landscape *
1973
Lithograph in colors
Signed and numbered
30 x 21 in
Edition of 90
SOLD
-
Black Ink Robe *
2005
Lithograph
Signed and numbered
25 ½ x 19 ¼ in
Edition of 200
SOLD
-
The Blue Heart *
2005
Lithograph in seven colors
Signed by the artist in pencil and numbered
25 ½ x 19 ¼ inches (64.8 x 48.9 cm)
Edition of 200
SOLD
-
Dartmouth Still Life *
1974-76
Etching
Signed and numbered
42 x 30
Edition of 30
SOLD
-
Double Dose of Color (diptych) *
2009
38-color lithograph on two panels
Signed and numbered
47 x 35 ¼ in (each)
Edition of 16
SOLD
-
Double Red Venus *
2002
Etching and lithograph
Signed and numbered
39 ¼ x 27 ¾ in
Edition of 22
SOLD
-
Five Shells *
1982
Hand-colored etching and aquatint
Signed and numbered
29 5/8 x 36 ½ in
Edition of 50
SOLD
-
Glyptotek *
1987-88
Portfolio with 40 original intaglio prints from copper plates
Signed by the artist and numbered on the exemplaire page
28 x 22 in
Edition of 90
SOLD
-
Jerusalem Plant #7 *
1983
Lithograph, dry point, electric tools, gravure
Signed and numbered
40 x 53 in
Edition of 11
SOLD
-
Olympic Robe *
1988
Lithograph in colors
Signed and numbered
35 x 27 in
Edition of 300
SOLD
-
Red and Blue Robe *
1999
Etching and aquatint
Signed and numbered
32 x 47 ½ in
Edition of 21
SOLD
-
Red Beard *
1973
Etching in red on J. Green mould made paper
Signed, dated and numbered
41 3/8 x 30 7/8 in
Edition of 50
SOLD
-
Red Pants II
1999
Hand-colored etching on handmade paper
Signed and numbered
55 ¾ x 34 ¾ in
Edition of 20
INQUIRE
-
Red Stamp *
2010
Collograph and intaglio
Signed and numbered
30 1/4 x 24 3/4 in
Edition of 35
SOLD
-
Scissors and Rainbow *
1969
Lithograph
Signed and numbered
39 1/4 x 27 1/2 in
Edition of 75
SOLD
-
Winter on the Cruise (diptych) *
2005
Lithograph and woodcut with hand-painting on two panels
Signed by the artist in pencil and numbered
30 1/4 x 44 1/2 inches (76.8 x 113 cm) overall
Edition of 12
SOLD
Jim Dine was born in 1935 in Cincinnati, Ohio. He studied at night at the Art Academy of Cincinnati during his senior year of high school and then attended the University of Cincinnati, the School of the Museum of Fine Arts, Boston, and Ohio University, Athens, from which he received his BFA in 1957. Dine moved to New York in 1959 and soon became a pioneer of the Happenings movement together with Allan Kaprow, Claes Oldenburg, and Robert Whitman.
Dine is closely associated with the development of Pop art in the early 1960s. Frequently he affixed everyday objects, such as tools, rope, shoes, articles of clothing, and even a bathroom sink, to his canvases. Characteristically, these objects were Dine’s personal possessions. This autobiographical content was evident in Dine’s early Crash series of 1959–60 and appeared as well in subsequent recurrent themes and images, such as the Palettes, Hearts, and bathrobe Self-Portraits. He later added gates, trees, and Venus to his repertoire of recurring motifs. Dine has also made a number of three-dimensional works and environments, and is well known for his drawings and prints. He has written and illustrated several books of poetry.
In 1965, Dine was a guest lecturer at Yale University, New Haven, and artist-in-residence at Oberlin College, Oberlin, Ohio. He was a visiting critic at Cornell University, Ithaca, New York, in 1966. Dine has been given solo shows in museums in Europe and the United States. In 1970, the Whitney Museum of American Art, New York, organized a major retrospective of his work, and in 1978 the Museum of Modern Art, New York, presented a retrospective of his etchings. Since then, Dine has been the subject of major retrospectives at the Walker Art Center in Minneapolis (1984–85), Solomon R. Guggenheim Museum in New York (1999), and National Gallery of Art in Washington, D.C. (2004).
Dine, Jim
1993 Original woodcut, collagraph and photo-engraving in colors on Rives paper Signed in pencil, dated and numbered 30 x 23 1/2 in. (76.2 x 59.7 cm), unframed Edition of 36 + 8 AP SOLD
1970 Original lithograph in colors, with collage Signed in pencil (recto), numbered (verso) 8 ¼ x 8 ½ in. (21 x 22 cm), unframed Edition of 200 (Published by Petersburg Press, London) SOLD
1982 Original lithograph on St. Armand paper Signed, dated and numbered in pencil 39 ½ x 30 in. (100.3 x 76.2 cm), unframed Edition of 9 SOLD
1985 Original lithograph in colors on wove paper Signed in pencil, dated and numbered 35 x 25 in. (89 x 63.5 cm), unframed Edition of 400 SOLD
1985 Original lithograph in colors on wove paper Signed by the artist in pencil, dated and numbered 34 3/4 x 24 3/4 in. (88.3 x 63 cm) Edition of 400 SOLD
1982 Original etching on hand-made Richard de Bas floral paper Signed in pencil, dated and numbered 26 ¼ x 20 ¼ in. (66.7 x 51.4 cm), unframed Edition of 100 SOLD
1991 Drypoint and etching printed in red and black Signed by the artist in pencil, dated and annotated “AP” 15 ¾ x 16 5/8 in. (40 x 42.2 cm), unframed Edition of 100 + 25 AP (annotated in artist’s handwriting at bottom, Happy B Day, Claire. Love from Nancy and Me. June 29, 1994.) SOLD
1985 Original lithograph in colors on wove paper Signed in pencil, dated and numbered 35 x 25 in. (89 x 63.5 cm), unframed Edition of 400 SOLD
1984 Soft-ground etching, drypoint and aquatint Hand-signed by the artist in pencil, dated and numbered 12 x 11 inches (30.5 x 27.9 cm), image 26 ¼ x 19 ⅞ inches (66.7 x 50.5 cm), sheet Edition of 35 Printed by Aldo Crommelnyck at Atelier Crommelnyck, Paris Published by Friends of the Philadelphia Museum of Art SOLD
2005 Original lithograph on Rives paper Signed in pencil, dated and numbered 19 x 25 ½ in. (48.3 x 64.8 cm), unframed Edition of 200 SOLD
1995 Original woodcut, photoengraving, and colograph with hand-coloring Signed in pencil, dated and numbered 31 x 42 in. (106.7 x 78.7 cm), unframed Edition of 60 (Carpenter 96) SOLD
1979 Etching and aquatint with unique hand coloring on two sheets (diptych) Signed by the artist in white pencil, dated and numbered 41 x 58 1/2 in. (104 x 149 cm.) Edition of 16 SOLD
2017 Woodcut and copperplate etching on Hahnemuhle warm white paper Signed by the artist, dated and numbered in pencil 50 ¼ x 42 in. (127.6 x 106.7 cm.) unframed Edition of 10 SOLD
1990 (from The Hand-Colored Viennese Hearts portfolio) Original screenprint, soft-ground etching, and aquatint with hand-coloring on Velin Arches White paper Signed, dated, and numbered in pencil 47 x 36 ½ in. (119.4 x 92 cm.), unframed Edition of 40 (C.34.2) SOLD
(From the Viennese Hearts suite) 1990 Screenprint in color with soft-ground etching, aquatint and hand-coloring on Arches paper Signed by the artist in pencil, dated and numbered 47 x 36 ¼ inches (119.4 x 92.1 cm) Edition of 40 + 10 AP (C. 34.4) SOLD
(From the Viennese Hearts suite) 1990 Screenprint in color with soft-ground etching, aquatint and hand-coloring on Arches paper Signed by the artist in pencil, dated and numbered 47 x 36 ¼ inches (119.4 x 92.1 cm) Edition of 40 + 10 AP (C. 34.7) SOLD
2011 Original lithograph in colors Signed by the artist in pencil and numbered 30 x 22 inches (76.2 x 55.9 cm) Edition of 75 SOLD
1978 Etching and aquatint with drypoint and engraving on Fabriano Classico paper Hand-signed by the artist in pencil, dated and numbered 39 ¼ x 27 ½ inches (99.7 x 69.8 cm) Edition of 45 SOLD
2008 Screenprint and woodcut in colors Signed in pencil and numbered 37 x 27 inches (94 x 68.6 cm) Edition of 118 SOLD
1982 Lithograph Signed in pencil, numbered and dated 17 ¾ x 17 ½ inches (45.1 x 44.5 cm) Edition of 100 SOLD
1981 Soft-ground etching and aquatint Signed and numbered 50 x 29 ½ in Edition of 36 SOLD
2010 Soft ground etching with drypoint on one sheet made of three joined pieces of paper Signed by the artist in pencil, numbered 28 1/8 x 63 1/8 inches (71.5 x 160.5 cm) Edition of 15 SOLD
1973 Lithograph in colors Signed and numbered 30 x 21 in Edition of 90 SOLD
2005 Lithograph Signed and numbered 25 ½ x 19 ¼ in Edition of 200 SOLD
2005 Lithograph in seven colors Signed by the artist in pencil and numbered 25 ½ x 19 ¼ inches (64.8 x 48.9 cm) Edition of 200 SOLD
1974-76 Etching Signed and numbered 42 x 30 Edition of 30 SOLD
2009 38-color lithograph on two panels Signed and numbered 47 x 35 ¼ in (each) Edition of 16 SOLD
2002 Etching and lithograph Signed and numbered 39 ¼ x 27 ¾ in Edition of 22 SOLD
1982 Hand-colored etching and aquatint Signed and numbered 29 5/8 x 36 ½ in Edition of 50 SOLD
1987-88 Portfolio with 40 original intaglio prints from copper plates Signed by the artist and numbered on the exemplaire page 28 x 22 in Edition of 90 SOLD
1983 Lithograph, dry point, electric tools, gravure Signed and numbered 40 x 53 in Edition of 11 SOLD
1988 Lithograph in colors Signed and numbered 35 x 27 in Edition of 300 SOLD
1999 Etching and aquatint Signed and numbered 32 x 47 ½ in Edition of 21 SOLD
1973 Etching in red on J. Green mould made paper Signed, dated and numbered 41 3/8 x 30 7/8 in Edition of 50 SOLD
2010 Collograph and intaglio Signed and numbered 30 1/4 x 24 3/4 in Edition of 35 SOLD
1969 Lithograph Signed and numbered 39 1/4 x 27 1/2 in Edition of 75 SOLD
2005 Lithograph and woodcut with hand-painting on two panels Signed by the artist in pencil and numbered 30 1/4 x 44 1/2 inches (76.8 x 113 cm) overall Edition of 12 SOLD
Dine is closely associated with the development of Pop art in the early 1960s. Frequently he affixed everyday objects, such as tools, rope, shoes, articles of clothing, and even a bathroom sink, to his canvases. Characteristically, these objects were Dine’s personal possessions. This autobiographical content was evident in Dine’s early Crash series of 1959–60 and appeared as well in subsequent recurrent themes and images, such as the Palettes, Hearts, and bathrobe Self-Portraits. He later added gates, trees, and Venus to his repertoire of recurring motifs. Dine has also made a number of three-dimensional works and environments, and is well known for his drawings and prints. He has written and illustrated several books of poetry.
In 1965, Dine was a guest lecturer at Yale University, New Haven, and artist-in-residence at Oberlin College, Oberlin, Ohio. He was a visiting critic at Cornell University, Ithaca, New York, in 1966. Dine has been given solo shows in museums in Europe and the United States. In 1970, the Whitney Museum of American Art, New York, organized a major retrospective of his work, and in 1978 the Museum of Modern Art, New York, presented a retrospective of his etchings. Since then, Dine has been the subject of major retrospectives at the Walker Art Center in Minneapolis (1984–85), Solomon R. Guggenheim Museum in New York (1999), and National Gallery of Art in Washington, D.C. (2004).