-
Arcs in Disorder *
2006
Steel
15 3/4 x 33 3/4 x 7 3/4 in (40 x 85.5 x 20 cm)
Signed and numbered
Edition of 30
SOLD
-
Combination of Random Indeterminate Lines *
2004
Original screenprint in colors
Signed by the artist in pencil, titled, dated and numbered
19 1/2 x 25 1/2 in (49.5 x 64.8 cm), unframed
Edition of 30
SOLD
-
Indeterminate Lines *
1987
Original lithograph in black
Signed by the artist in pencil, and numbered
22 3/4 x 29 5/8 in. (57.8 x 75.2 cm), unframed
Edition of 100
SOLD
-
Random Combination of Undetermined Lines *
1997
Etching with aquatint
Signed by the artist, titled and numbered
22 1/2 x 19 in. (57.2 x 48.3 cm), unframed
Edition of 90
SOLD
-
Random Combinations of Indeterminate Lines *
1995
Drypoint etching on Heavy Cream Wove paper
Signed by the artist, dated and numbered
22 7/16 x 17 1/16 in. (70 x 43 cm)
Edition of 90
SOLD
-
Undetermined Line *
1987
Original lithograph
Signed, dated and numbered in pencil
31 x 23 1/4 in. (79 x 59 cm), unframed
SOLD
-
Two Indeterminate Lines *
2006
Color lithograph on velin paper
Signed by the artist in pencil and numbered
19 ⅝ x 24 inches (50 x 61 cm)
Edition of 75 + 9 AP
SOLD
Bernar Venet (French, b. 1941) is a notable Conceptual artist who was born in Chateau-Arnoux, France. As a young boy, he was often sick with asthma, leaving him unable to be a normal child. With the help of a local artist, Venet began to explore art. By the age of 10, Venet was drawing and painting a great deal. From 1955 to 1958, he studied at Ecole Libre and Groupe Scolaire Paul Lapie; he then studied art in Nice, France, at La Villa Thiole. In 1959, Venet began working as a stage designer at Opera de Nice. At this time, Venet was painting highly stylized paintings. He joined the French Army in 1961, when he also began a style of tar art that he called his “fetichist works.” He returned to Nice, France, in 1963 to open a studio to continue his tar art. Around this time, he also started to photograph coal and gravel piles, and sculpted his first sculpture, Coal Paile.
In 1966, Venet made his first trip to New York City, where he was influenced by the Minimalist artwork he viewed in galleries. After returning to Nice, he began to work on mono-semiotic works and diagrams. He created Graduation, a ballet performed on a vertical surface. He later decided to move to New York City permanently. After working on Conceptual and Minimalist pieces, in 1971, Venet decided to cease his artistic work. During his break from art, Venet traveled throughout the United States, Europe, and Japan. In 1974, he taught art and art theory in Sorbonne, France. At this time, he often lectured throughout Europe. He returned to New York City in 1976, and began his first piece of the series titled Angles and Arcs.
Through the late 1970s and early 1980s, Venet exhibited works such as Documenta VI and From Nature to Art. He also began sculpting at Atelier Marioni in France in 1984. As his sculpting continued, Venet was asked to help bring his ballet Graduation into production at the Paris Opera in 1988. At this time, he took an interest in music as well. Throughout the 1990s, Venet composed various musical compositions, including Resonance and Sound. In 2000, Venet exhibited his Major Equations series at the Museum of Modern Art in Rio de Janeiro, Brazil. He continues to produce works in all media, including painting, music, and sculptures, that are exhibited across the world.
Venet, Bernar
2006 Steel 15 3/4 x 33 3/4 x 7 3/4 in (40 x 85.5 x 20 cm) Signed and numbered Edition of 30 SOLD2004 Original screenprint in colors Signed by the artist in pencil, titled, dated and numbered 19 1/2 x 25 1/2 in (49.5 x 64.8 cm), unframed Edition of 30 SOLD1987 Original lithograph in black Signed by the artist in pencil, and numbered 22 3/4 x 29 5/8 in. (57.8 x 75.2 cm), unframed Edition of 100 SOLD1997 Etching with aquatint Signed by the artist, titled and numbered 22 1/2 x 19 in. (57.2 x 48.3 cm), unframed Edition of 90 SOLD1995 Drypoint etching on Heavy Cream Wove paper Signed by the artist, dated and numbered 22 7/16 x 17 1/16 in. (70 x 43 cm) Edition of 90 SOLD1987 Original lithograph Signed, dated and numbered in pencil 31 x 23 1/4 in. (79 x 59 cm), unframed SOLD2006 Color lithograph on velin paper Signed by the artist in pencil and numbered 19 ⅝ x 24 inches (50 x 61 cm) Edition of 75 + 9 AP SOLDIn 1966, Venet made his first trip to New York City, where he was influenced by the Minimalist artwork he viewed in galleries. After returning to Nice, he began to work on mono-semiotic works and diagrams. He created Graduation, a ballet performed on a vertical surface. He later decided to move to New York City permanently. After working on Conceptual and Minimalist pieces, in 1971, Venet decided to cease his artistic work. During his break from art, Venet traveled throughout the United States, Europe, and Japan. In 1974, he taught art and art theory in Sorbonne, France. At this time, he often lectured throughout Europe. He returned to New York City in 1976, and began his first piece of the series titled Angles and Arcs.
Through the late 1970s and early 1980s, Venet exhibited works such as Documenta VI and From Nature to Art. He also began sculpting at Atelier Marioni in France in 1984. As his sculpting continued, Venet was asked to help bring his ballet Graduation into production at the Paris Opera in 1988. At this time, he took an interest in music as well. Throughout the 1990s, Venet composed various musical compositions, including Resonance and Sound. In 2000, Venet exhibited his Major Equations series at the Museum of Modern Art in Rio de Janeiro, Brazil. He continues to produce works in all media, including painting, music, and sculptures, that are exhibited across the world.