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Afangar SK I *
1991
Original lithograph
Signed by the artist, dated and numbered
10 3/4 x 9 1/2 in. (27.5 x 24 cm), unframed
Edition of 22
With the publisher’s embossed chop mark (verso)
(Berswordt-Wallrabe CR #62)
SOLD
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Dealer's Choice *
1996
One-color Etching with carborundum
Signed by the artist, dated and numbered
16 7/8 x 18 1/8 in (43 x 46 cm), unframed
Edition of 78
SOLD
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Sketch 2 *
1981
1 color lithograph
Signed by the artist, and numbered
28 x 22 in (71 x 56 cm), unframed
Edition of 50
SOLD
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Sketch 5
1980
Original one-color lithograph on Arches paper
Signed, dated and numbered
28 x 22 in. (71 x 56 cm), unframed
Edition of 50
INQUIRE
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Videy Afanger 1 *
1991
Original etching on Hahnemuhle paper
Signed, dated and numbered by the artist in graphite
10 ½ x 12 in. (26.7 x 30.5 cm), unframed
Edition of 75
SOLD
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Videy Afangar #6 *
1991
1-color intaglio on Hahnemühle German etching paper
Hand-signed by the artist in pencil, dated and numbered
10 ½ x 12 inches (26.7 x 30.5 cm)
Edition of 75
(with publisher’s blindstamp)
Literature: Richard Serra: Werkverzeichnis: Druckgrafik, 1972-2007. 2nd ed. S. Von Berswordt-Wallrabe, ed. 2008. #69.
SOLD
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Extension #3 *
2004
Etching
Signed and numbered
47 x 35 in
Edition of 58
SOLD
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Extension #2 *
2004
Etching
Signed and numbered
47 x 35 in
Edition of 58
SOLD
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Extension #1 *
2004
Etching
Signed and numbered
47 x 35 in
Edition of 58
SOLD
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Untitled *
1996
Etching
Signed by the artist, dated and numbered in crayon
24 x 24 ¼ inches (61 x 61.6 cm)
Edition of 75
SOLD
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Paths and Edges #3 *
2007
1-color etching
Hand-signed by the artist in pencil, and numbered (verso)
Edition of 60
25.8 x 39 inches (65.5 x 99.1 cm)
SOLD
One of the preeminent sculptors of our era, Richard Serra (American, b. 1939) has long been acclaimed for his challenging and innovative work, which emphasizes materiality and an engagement between the viewer, the site, and the work. In the early 1960s, Serra and the Minimalist artists of his generation turned to unconventional, industrial materials and began to accentuate the physical properties of their art. Over the years, Serra has expanded his spatial and temporal approach to sculpture and has focused primarily on large-scale work, including many site-specific works that engage with a particular architectural, urban, or landscape setting.
Acclaimed for his challenging and innovative works emphasizing materially and an engagement between the viewer, the site, and the sculpture, Serra has come to focus primarily on large scale pieces, including many site-specific works that engage with a particular architectural, urban, or landscape setting. In the handling of heavy metal, Serra has no peer. His towering curves and sheets of oxidized steel are now an artistic signature, and critics view his massive steel plate sculptures as some of the defining works of our time. His spectacular show Richard Serra Sculpture: Forty years at New York’s Museum of Modern Art was selected by Time Magazine as the top museum exhibit of 2007, and described as the “the art world thriller of the year.” Hailed as one of the world’s greatest living sculptors, Richard Serra is indeed one of the major artists of our time.
Serra, Richard
1991 Original lithograph Signed by the artist, dated and numbered 10 3/4 x 9 1/2 in. (27.5 x 24 cm), unframed Edition of 22 With the publisher’s embossed chop mark (verso) (Berswordt-Wallrabe CR #62) SOLD
1996 One-color Etching with carborundum Signed by the artist, dated and numbered 16 7/8 x 18 1/8 in (43 x 46 cm), unframed Edition of 78 SOLD
1981 1 color lithograph Signed by the artist, and numbered 28 x 22 in (71 x 56 cm), unframed Edition of 50 SOLD
1991 Original etching on Hahnemuhle paper Signed, dated and numbered by the artist in graphite 10 ½ x 12 in. (26.7 x 30.5 cm), unframed Edition of 75 SOLD
1991 1-color intaglio on Hahnemühle German etching paper Hand-signed by the artist in pencil, dated and numbered 10 ½ x 12 inches (26.7 x 30.5 cm) Edition of 75 (with publisher’s blindstamp) Literature: Richard Serra: Werkverzeichnis: Druckgrafik, 1972-2007. 2nd ed. S. Von Berswordt-Wallrabe, ed. 2008. #69. SOLD
2004 Etching Signed and numbered 47 x 35 in Edition of 58 SOLD
2004 Etching Signed and numbered 47 x 35 in Edition of 58 SOLD
2004 Etching Signed and numbered 47 x 35 in Edition of 58 SOLD
1996 Etching Signed by the artist, dated and numbered in crayon 24 x 24 ¼ inches (61 x 61.6 cm) Edition of 75 SOLD
2007 1-color etching Hand-signed by the artist in pencil, and numbered (verso) Edition of 60 25.8 x 39 inches (65.5 x 99.1 cm) SOLD
Acclaimed for his challenging and innovative works emphasizing materially and an engagement between the viewer, the site, and the sculpture, Serra has come to focus primarily on large scale pieces, including many site-specific works that engage with a particular architectural, urban, or landscape setting. In the handling of heavy metal, Serra has no peer. His towering curves and sheets of oxidized steel are now an artistic signature, and critics view his massive steel plate sculptures as some of the defining works of our time. His spectacular show Richard Serra Sculpture: Forty years at New York’s Museum of Modern Art was selected by Time Magazine as the top museum exhibit of 2007, and described as the “the art world thriller of the year.” Hailed as one of the world’s greatest living sculptors, Richard Serra is indeed one of the major artists of our time.