1974
From Domestic Tranquility Series (E. 74)
Original lithograph in colors on Arches Cover
Signed in pencil, dated and numbered
18 1/4 x 22 1/4 in. (46.3 x 56.6 cm), unframed
Edition of 65
SOLD
Drops
1971
Lithograph in colors on wove paper
Signed by the artist in pencil, dated and numbered
20 x 28 in. (51.5 x 71.9 cm), unframed
Edition of 90
INQUIRE
Sin *
1970
Screenprint in eight colors on Louvain Opaque Cover Paper
Signed in pencil, dated and numbered
18 3/4 x 26 in. (47.6 x 66 cm)
Edition of 150
SOLD
Well, Well *
1979
Screenprint in colors on Stongehenge paper
Signed in pencil, dated and numbered
19 1/2 x 55 in.(49.3 x 139.5 cm), unframed
Edition of 50
SOLD
OOO *
1970
Lithograph in colors on wove paper
Signed by the artist in pencil, numbered and dated
20 x 28 in (51.5 cm x 71.9 cm), unframed
Edition of 90
SOLD
I've Never Seen Two People Looking Healthier *
1978
Screenprint in colors on white Stonehenge paper
Signed by the artist in pencil, dated and numbered
19 x 50 inches (48.3 x 127 cm)
Edition of 45
SOLD
Untitled (Plate) *
1974
(from the Domestic Tranquility series)
Lithograph in colors on wove paper
Signed by the artist in pencil, and numbered
18 1/8 x 26 in. (46 x 66 cm.)
Edition of 65
SOLD
The World and Its Surroundings *
1982
Three-color original lithograph on Rives BFK paper
Signed by the artist in pencil, dated and numbered
42 x 31 ¾ in. (107 x 81 cm), unframed
Edition of 55
SOLD
Let's Keep in Touch *
1978
Screenprint in colors on Stonehenge paper
Signed by the artist in pencil and numbered
19 ⅛ x 50 ¼ inches (48.6 x 127.7 cm)
Edition of 45
SOLD
Unit *
2004
Lithograph
Signed and numbered
14 x 12 ½ in
Edition of 40
SOLD
City Space *
2006
Etching and aquatint
Signed and numbered
29 ¾ x 25 in
Edition of 30
SOLD
A painter, printmaker, and filmmaker, Edward Ruscha was born in Omaha, Nebraska, in 1937, and lived some 15 years in Oklahoma City before moving permanently to Los Angeles where he studied at the Chouinard Art Institute from 1956 through 1960. By the early sixties he was well known for his paintings, collages, and printmaking. He later achieved recognition for his paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement.
Born and raised Catholic, Ruscha readily admits to the influence of religion in his work. He is also aware of the centuries-old tradition of religious imagery in which light beams have been used to represent divine presence. But his work makes no claims for a particular moral position or spiritual attitude.
Ruscha’s work has been exhibited internationally for three decades and is represented in major museum collections.
Susan Rothenberg was born in Buffalo, New York in 1945. She received a BFA from Cornell University. Her early work—large acrylic, figurative paintings—came to prominence …
Ruscha, Ed
1974 From Domestic Tranquility Series (E. 74) Original lithograph in colors on Arches Cover Signed in pencil, dated and numbered 18 1/4 x 22 1/4 in. (46.3 x 56.6 cm), unframed Edition of 65 SOLD1970 Screenprint in eight colors on Louvain Opaque Cover Paper Signed in pencil, dated and numbered 18 3/4 x 26 in. (47.6 x 66 cm) Edition of 150 SOLD1979 Screenprint in colors on Stongehenge paper Signed in pencil, dated and numbered 19 1/2 x 55 in.(49.3 x 139.5 cm), unframed Edition of 50 SOLD1970 Lithograph in colors on wove paper Signed by the artist in pencil, numbered and dated 20 x 28 in (51.5 cm x 71.9 cm), unframed Edition of 90 SOLD1978 Screenprint in colors on white Stonehenge paper Signed by the artist in pencil, dated and numbered 19 x 50 inches (48.3 x 127 cm) Edition of 45 SOLD1974 (from the Domestic Tranquility series) Lithograph in colors on wove paper Signed by the artist in pencil, and numbered 18 1/8 x 26 in. (46 x 66 cm.) Edition of 65 SOLD1982 Three-color original lithograph on Rives BFK paper Signed by the artist in pencil, dated and numbered 42 x 31 ¾ in. (107 x 81 cm), unframed Edition of 55 SOLD1978 Screenprint in colors on Stonehenge paper Signed by the artist in pencil and numbered 19 ⅛ x 50 ¼ inches (48.6 x 127.7 cm) Edition of 45 SOLD2004 Lithograph Signed and numbered 14 x 12 ½ in Edition of 40 SOLD2006 Etching and aquatint Signed and numbered 29 ¾ x 25 in Edition of 30 SOLDBorn and raised Catholic, Ruscha readily admits to the influence of religion in his work. He is also aware of the centuries-old tradition of religious imagery in which light beams have been used to represent divine presence. But his work makes no claims for a particular moral position or spiritual attitude.
Ruscha’s work has been exhibited internationally for three decades and is represented in major museum collections.