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David Salle was born in Norman, Oklahoma, and earned a BFA and MFA from the California Institute for the Arts, where he studied under John …
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Susan Rothenberg was born in Buffalo, New York in 1945. She received a BFA from Cornell University. Her early work—large acrylic, figurative paintings—came to prominence …
Ruscha, Ed
1974 From Domestic Tranquility Series (E. 74) Original lithograph in colors on Arches Cover Signed in pencil, dated and numbered 18 1/4 x 22 1/4 in. (46.3 x 56.6 cm), unframed Edition of 65 SOLD
1973 Original lithograph on Rives paper Hand-signed, titled, dated and numbered in pencil 10 x 131⁄2 in. (25.4 x 34.3 mm.) Edition of 250 SOLD
1971 Lithograph in colors on wove paper Signed by the artist in pencil, dated and numbered 20 x 28 in. (51.5 x 71.9 cm), unframed Edition of 90 SOLD
1979 Screenprint in colors on Stongehenge paper Signed in pencil, dated and numbered 19 1/2 x 55 in.(49.3 x 139.5 cm), unframed Edition of 50 SOLD
1970 Lithograph in colors on wove paper Signed by the artist in pencil, numbered and dated 20 x 28 in (51.5 cm x 71.9 cm), unframed Edition of 90 SOLD
1978 Screenprint in colors on white Stonehenge paper Signed by the artist in pencil, dated and numbered 19 x 50 inches (48.3 x 127 cm) Edition of 45 SOLD
1974 (from the Domestic Tranquility series) Lithograph in colors on wove paper Signed by the artist in pencil, and numbered 18 1/8 x 26 in. (46 x 66 cm.) Edition of 65 SOLD
1982 Three-color original lithograph on Rives BFK paper Signed by the artist in pencil, dated and numbered 42 x 31 ¾ in. (107 x 81 cm), unframed Edition of 55 SOLD
1978 Screenprint in colors on Stonehenge paper Signed by the artist in pencil and numbered 19 ⅛ x 50 ¼ inches (48.6 x 127.7 cm) Edition of 45 SOLD
2004 Lithograph Signed and numbered 14 x 12 ½ in Edition of 40 SOLD
2006 Etching and aquatint Signed and numbered 29 ¾ x 25 in Edition of 30 SOLD
Born and raised Catholic, Ruscha readily admits to the influence of religion in his work. He is also aware of the centuries-old tradition of religious imagery in which light beams have been used to represent divine presence. But his work makes no claims for a particular moral position or spiritual attitude.
Ruscha’s work has been exhibited internationally for three decades and is represented in major museum collections.