-
Composition au Verre a Pied *
(From Dans L'Atelier de Picasso)
1947
Lithograph on Arches paper
13 x 17 ½ inches (33 x 44.5 cm.)
A proof outside the edition of 50
(B. 431; M. 77)
SOLD
-
Congres pour la Paix *
1962
Original lithograph in colors
Signed and dated by the artist within the lithographic plate
39 1/2 x 26 in. (100.3 x 66 cm), unframed
From the unnumbered edition of 8000 as issued
Printed by Atelier Mourlot, Paris
SOLD
-
Danseuse *
1954
Original lithograph in colors on wove paper
Signed in the lithographic plate
12 ¼ x 8 ½ in. (31 x 21.6 cm), unframed
Edition of 10000
(B. 767; M. 259)
SOLD
-
Dompteur, Ecuyère-Jument ailée, et Acrobate á la Boule *
1970
Etching and drypoint on heavy wove paper
Stamped signed, and numbered in pencil
16 x 18 3/4 in. (41 x 48 cm), unframed
Edition of 50
Published by the edition Galerie Louise Leiris, Paris 1978.
Bloch 1905; Baer 1911.
SOLD
-
Jeu de la Cape
(From A Los Toros avec Picasso)
1961
Original lithograph in black ink
Dated 6.3.61.III in the stone
10 x 13 in. (25.4 x 33 cm)
Published by Andre Sauret, Monte Carlo; printed by Mourlot Studio, Paris
INQUIRE
-
L'Etreinte VII *
1969
Lithograph
15 1/2 x 19 1/2 in
Edition of 300
SOLD
-
La Danse des Faunes
1957
Original lithograph on Arches paper
With artist's stamped signature
19 x 25 3/8 in. (48.3 x 64.5 cm)
Edition of 1000
Bloch 830; Mourlot 291
INQUIRE
-
La Pique *
(From A Los Toros avec Picasso)
1961
Original lithograph in black ink
Dated 6.3.61.I in the stone
10 x 13 in. (25.4 x 33 cm)
Published by Andre Sauret, Monte Carlo; Printed by Mourlot Studio, Paris
SOLD
-
La Serenade *
1968
(from La Celestine)
Original sugarlift aquatint
8 1/4 x 6 1/2 in. (21 x 16.5 cm), unframed
From the unsigned edition of 350 as issued
Printed and published by Éditions de L'Atelier
Crommelynck, Paris
(Bloch 1599; Baer 1615.B.c.; Cramer 149)
SOLD
-
La Tasse et la Pomme *
(B. 447)
1947
Lithograph on Arches paper
10 x 12 7/8 inches
Edition of 50
SOLD
-
Le Peintre et Son Modèle *
1964
Original lithograph on Arches paper
Dated in the lithographic plate
10 x 7 in. (25.4 x 18 cm), unframed
Printed by Atelier Mourlot, Paris
(M. 400; Cramer 128)
SOLD
-
Le Picador II
1961
(From A Los Toros avec Picasso)
Original lithograph in 24 colors on wove paper
Dated twice by the artist within the original lithograph plate,
unsigned as issued
9 x 12 inches (30.5 x 23 cm)
Published by Andre Sauret, Monte Carlo: Printed by Atelier Mourlot, Paris
(B. 1017; M. 350)
INQUIRE
-
Les Banderillas
(from A Los Toros avec Picasso)
1961
Original lithograph in black ink
Dated 6.3.61.IV in the stone
10 x 13 in. (24.4 x 33 cm)
Published by Andre Sauret, Monte Carlo; Printed by Mourlot Studio, Paris
INQUIRE
-
Lozenge avec Visage *
1971
Red earthenware terra cotta tile
Stamped, marked and numbered 'Poinçon Original de Picasso/Madoura Plein Feu (verso)
6 x 6 in. (15 x 15 cm.)
Edition of 500
(A.R. 627)
SOLD
-
Paix D'esarmement *
1960
Original vintage lithographic poster
With artist’s printed signature within the lithographic plate
47 x 31 3/4 in. (119.4 x 80.6 cm), unframed
From the unnumbered edition of 2500 as issued
(With center fold)
SOLD
-
Petite Soleil *
1968
Red earthenware plaque painted in black
Hand-numbered, incised 'J 245' and 'MADOURA', with the
'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO'
pottery stamps (verso)
4 x 6 ¼ in. (10.2 x 16 cm), unframed
Executed in an edition of 200
(AR. 547)
SOLD
-
Raphaël et la Fornarina XXIII *
1968
(from Séries 347)
Etching on Rives paper with wide margins and deckled edges
Signed in pencil, and numbered
11 x 14 in. (28 x 35.6 cm), unframed
Edition of 50
Published by Galerie L. Leiris, Paris; Printed by Aldo & Piero Crommelynck
(B. 1798; Ba. 1815 Bb1)
SOLD
-
Untitled *
1971
(A portrait of Fernando de Rojas, Plate 62 from La Celestine series)
Original etching on handmade paper
Hand-numbered in pencil
8 1/4 x 6 1/2 in. (21 x 16.5 cm), unframed
From the unsigned edition of 350 as issued
(Printed and published by Editions de L'Atelier Crommelynck, Paris)
SOLD
-
Untitled *
1968
(from La Celestine portfolio, Pl. 15)
Original copper etching
8 ¼ x 6 5/8 in. (21 x 16.8 cm), unframed
Edition of 350
(B. 1583)
SOLD
-
Losenge au Barbu *
1971
Red earthenware terra cotta tile
Stamped, marked and numbered 'Poinçon Original de Picasso/Madoura Plein Feu (verso)
6 x 6 in. (15 x 15 cm.)
Edition of 500
(A.R. 628)
SOLD
-
Fleurs dans un Verre #6 *
1947
Wash drawing, gouache, and crayon on lithographic paper, transferred to stone on Renge Wove paper
20 x 12 ½ in. (50.8 x 31.75 cm.)
(B. 450)
(Printed by Mourlot, Paris.)
SOLD
-
Cercle avec le Visage *
1971
Red earthenware terra cotta tile
Stamped and hand-numbered , ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso’ J. 170 (verso)
5 ¾ x 5 ¾ in (48.6 x 48.6 cm)
Executed in an edition of 500
(AR. 632)
SOLD
-
Deux Personnages *
(From the "Suite de 180 Dessins de Picasso" portfolio)
1954
Lithograph in colors
Dated in plate (lower right)
10 x 14 inches (25.4 x 35.6 cm)
From the edition of 2000
Published by Teriade, Paris; printed by Mourlot, Paris
(Verve No. 29-30)
SOLD
-
Losage au Danseur et a la Biche *
1971
Terracotta tile
Stamped and hand-numbered, ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso’ J. 162 (verso)
5 7/8 x 5 3/4 x 1/4 in. (14.9 x 14.6 x .64 cm), unframed
Executed in an edition of 500
(AR. 620)
SOLD
-
Tete de Femme (Portrait de Jacqueline de Face I) *
1961
Linocut in colors on Arches paper
Signed in pencil, numbered
29 ½ x 24 3/8 in. (75 x 62 cm)
Edition of 50
(Published by Galerie Louise Leiris, Paris, 1963)
Bloch 1064; Baer 1278
SOLD
-
Festival Mondial pour la Paix *
Pablo Picasso (after)
1951
A squared earthenware tile
With the artist’s signature within the lithography
8 ¼ x 8 ¼ inches (21 x 21 cm)
Created to commemorate the World Festival of Youth and Students for Peace, Berlin 1951
SOLD
-
Festival Mondial pour la Paix *
Pablo Picasso (after)
Festival Mondial pour la Paix, 1951
Screenprint on linen
31 ½ x 28 ¾ inches (80 x 73 cm.), unframed
With printed signature within the matrix
From the unnumbered original edition
Created to commemorate the World Festival of Youth and Students for Peace, Berlin 1951
SOLD
-
Carré aux Danseurs *
1971
Terra cotta tile
Stamped and numbered, ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso/J.’ (verso)
6 x 6 inches (15.2 x 15.2 cm), unframed
Edition of 500
(A.R. 618)
SOLD
-
La Femme a la Fraise *
Pablo Picasso (after)
1963
Original lithograph in colors
Signed in the lithographic plate, from the unnumbered edition
24 ⅜ x 17 ⅜ inches (36.5 x 44.1 cm), unframed
SOLD
-
Cavalier et Cheval *
1969
Painted terra cotta plaque, partially glazed
Stamped, marked and numbered "Madoura Plein Feu/Empreinte Originale de Picasso” with edition number (verso)
8 1/2 x 8 1/2 inches (21.7 x 21.7 cm)
Edition of 100
(A.R. 594)
SOLD
-
Scène de Tauromachie *
1957
Partially-glazed, original ceramic wall plaque in terra cotta with hand-painting
Stamped, Madoura Plein Feu/Edition Picasso (verso) and numbered (verso)
9 ¼ inches (23.5 cm) diameter
Edition of 500
(Raime 393)
SOLD
-
Yan Sun *
1963
Red earthenware pitcher painted in black
Incised "Edition Picasso" with the "Madoura Plein Feu" and "Edition Picasso" pottery stamps on underside
10 ½ inches (26.7 cm)
Edition of 300
(A.R. 516)
SOLD
-
Petit Visage *
1955
Earthenware glazed ceramic bowl, hand-painted
Signed "Edition/Madoura/Picasso"
5 x 4 ¾ x 2 ½ inches (12.7 x 12.1 x 6.4 cm)
Edition of 500
(A.R. 290)
SOLD
-
Femme au Mouchoir *
1937/79
Lithograph on Arches paper
Hand-signed by Marina Picasso and numbered
22 x 29 inches (56 x 74 cm), unframed
Edition of 500 + 34 AP
(With the Picasso estate embossed seal, lower right, and official estate ink stamp, verso)
(Original image created 1937, lithograph printed 1979-82)
SOLD
-
Colombe de l'Avenir *
1962
Lithograph in colors on Rives paper
Signed and dated by the artist in the plate
23 x 29 ¾ inches (58.4 x 75.6 cm)
Published by Les Editions Combat Pour la Paid, France
SOLD
-
Spanish Pitcher *
1954
Partially glazed white earthenware pitcher painted in blue and black
Edition of 300
Incised 'EDITION PICASSO' and 'MADOURA', with the 'MADOURA PLEIN FEU' and 'EDITION PICASSO' pottery stamps on the underside
8 x 9 x 4 inches (20.3 x 22.9 x 10.2 cm)
SOLD
-
Colombe Volant *
1953
Original lithograph in 8 colors on Arches Wove paper
Signed and dated in the stone, lower right
20 11/16 x 29 3/16 inches (53 x 74.3 cm)
Edition of238
Published by Fernand Mourlot, Paris
(B.712; M. 214)
SOLD
-
85 Gravures, Berggruen *
1966
Lithographic Poster
30 x 20 ½ in
SOLD
-
Bacchanale II *
1955
Lithograph on Arches paper
18 7/8 x 24 3/4 inches (48 x 63 cm)
Printed by Mourlot, Paris
SOLD
-
Bacchanale *
1956
Lithograph on Arches paper
18 7/8 x 24 3/4 inches
SOLD
-
Centre Culturel International a la Université de Genève *
1969
Lithograph
26 x 19 in
Edition of 50
SOLD
-
Ovale avec Oeil, B *
1971
Ceramic red earthenware clay tile
Inscribed ‘Poincon Originale de Picasso’ and ‘Madoura Plein Feu’ (verso)
with handwritten archive number and edition number in black ink (verso)
5 3/4 x 5 3/4 in (14.6 x 14.6 cm)
Edition of 500
Created at the Madoura Foundry, Vallauris, France
(AR. 624)
SOLD
-
Graphic Work, Bibliothèque Nationale *
1955
Lithographic Poster
30 x 22 1/2 in
SOLD
-
La Grande Maternité *
1963
Lithograph
35 x 25 in
Edition of 200
SOLD
-
La Ronde II *
1959
Lithograph in colors on Arches paper
26 x 20 in
SOLD
-
La Galerie Madoura *
1961
Linocut in colors on Arches paper (for exhibition announcement)
Signed in the plate with Marina Picasso stamp (recto)
9 x 4 ⅜ inches (23 x 11.1 cm)
Edition of 2700
Printed by Mourlot, Paris
(B. 1021)
SOLD
-
Le Corsage Raye *
1949
Lithograph in colors
25 x 20 in
Edition of 300
SOLD
-
Le Cubisme *
1953
Lithographic Poster
28 x 20 in
SOLD
-
L'Homme à la Fraise (Man with Ruff) *
Pablo Picasso (after)
1963
Lithograph in colors on Arches paper
Signed by the artist in the lithographic plate
26 3/4 x 21 3/4 inches (68 x 55.3 cm)
Printed by Mourlot, Paris
(B. 1148)
SOLD
-
Maya in Pinafore *
circa 1956
Lithograph
34 1/4 x 24 in
Edition of 200
SOLD
-
Nature Morte Au Verre et a La Pomme *
(Baer 697.11.B.b)
1944
Lithograph printed by Mourlot in 1957
17 1/3 x 13 in
SOLD
-
Nu Couché IV *
1969
Lithograph
15 1/2 x 19 1/2 in
Edition of 300
SOLD
-
Nu Couche VI *
1969
Lithograph
15 ½ x 19 ½ in
Edition of 300
SOLD
-
Nue avec L'Artiste *
(from the "Suite de 180 Dessins de Picasso" portfolio)
1953-54
Lithograph in colors
10 x 13 5/8 inches
SOLD
-
Nue et Homme Masqué *
(from the "Suite de 180 Dessins de Picasso" portfolio)
1953-54
Lithograph in colors
10 x 13 5/8 inches
SOLD
-
Peace Movement *
1969
Lithograph
25 x 18 in
Edition of 200
SOLD
-
Picasso et la Paix *
1971
Lithographic Poster
25 ¾ x 19 in
SOLD
-
Pommes, Verres et Couteau *
(B. 429)
1947
Scraped wash drawing on lithographic paper, transferred to stone, printed on Arches paper
17 ½ x 12 3/8 inches
SOLD
-
Portraits Imaginaires, 6.4.69 *
1969
Lithograph
29 1/8 x 20 1/4 in
SOLD
-
Salon de Mai *
1958
Lithographic Poster
30 x 21 in
SOLD
Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blasco, he began to draw at an early age. In 1895 the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats in about 1899 were crucial to his early artistic development. Picasso’s first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill.
His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoiselles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame increased markedly.
By 1936 the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with the Communist Party began in 1944. From the late 1940s he lived in the south of France. Among the enormous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art, New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961 the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.
Picasso, Pablo
(From Dans L'Atelier de Picasso) 1947 Lithograph on Arches paper 13 x 17 ½ inches (33 x 44.5 cm.) A proof outside the edition of 50 (B. 431; M. 77) SOLD
1962 Original lithograph in colors Signed and dated by the artist within the lithographic plate 39 1/2 x 26 in. (100.3 x 66 cm), unframed From the unnumbered edition of 8000 as issued Printed by Atelier Mourlot, Paris SOLD
1954 Original lithograph in colors on wove paper Signed in the lithographic plate 12 ¼ x 8 ½ in. (31 x 21.6 cm), unframed Edition of 10000 (B. 767; M. 259) SOLD
1970 Etching and drypoint on heavy wove paper Stamped signed, and numbered in pencil 16 x 18 3/4 in. (41 x 48 cm), unframed Edition of 50 Published by the edition Galerie Louise Leiris, Paris 1978. Bloch 1905; Baer 1911. SOLD
1969 Lithograph 15 1/2 x 19 1/2 in Edition of 300 SOLD
(From A Los Toros avec Picasso) 1961 Original lithograph in black ink Dated 6.3.61.I in the stone 10 x 13 in. (25.4 x 33 cm) Published by Andre Sauret, Monte Carlo; Printed by Mourlot Studio, Paris SOLD
1968 (from La Celestine) Original sugarlift aquatint 8 1/4 x 6 1/2 in. (21 x 16.5 cm), unframed From the unsigned edition of 350 as issued Printed and published by Éditions de L'Atelier Crommelynck, Paris (Bloch 1599; Baer 1615.B.c.; Cramer 149) SOLD
(B. 447) 1947 Lithograph on Arches paper 10 x 12 7/8 inches Edition of 50 SOLD
1964 Original lithograph on Arches paper Dated in the lithographic plate 10 x 7 in. (25.4 x 18 cm), unframed Printed by Atelier Mourlot, Paris (M. 400; Cramer 128) SOLD
1971 Red earthenware terra cotta tile Stamped, marked and numbered 'Poinçon Original de Picasso/Madoura Plein Feu (verso) 6 x 6 in. (15 x 15 cm.) Edition of 500 (A.R. 627) SOLD
1960 Original vintage lithographic poster With artist’s printed signature within the lithographic plate 47 x 31 3/4 in. (119.4 x 80.6 cm), unframed From the unnumbered edition of 2500 as issued (With center fold) SOLD
1968 Red earthenware plaque painted in black Hand-numbered, incised 'J 245' and 'MADOURA', with the 'MADOURA PLEIN FEU' and 'EMPREINTE ORIGINALE DE PICASSO' pottery stamps (verso) 4 x 6 ¼ in. (10.2 x 16 cm), unframed Executed in an edition of 200 (AR. 547) SOLD
1968 (from Séries 347) Etching on Rives paper with wide margins and deckled edges Signed in pencil, and numbered 11 x 14 in. (28 x 35.6 cm), unframed Edition of 50 Published by Galerie L. Leiris, Paris; Printed by Aldo & Piero Crommelynck (B. 1798; Ba. 1815 Bb1) SOLD
1971 (A portrait of Fernando de Rojas, Plate 62 from La Celestine series) Original etching on handmade paper Hand-numbered in pencil 8 1/4 x 6 1/2 in. (21 x 16.5 cm), unframed From the unsigned edition of 350 as issued (Printed and published by Editions de L'Atelier Crommelynck, Paris) SOLD
1968 (from La Celestine portfolio, Pl. 15) Original copper etching 8 ¼ x 6 5/8 in. (21 x 16.8 cm), unframed Edition of 350 (B. 1583) SOLD
1971 Red earthenware terra cotta tile Stamped, marked and numbered 'Poinçon Original de Picasso/Madoura Plein Feu (verso) 6 x 6 in. (15 x 15 cm.) Edition of 500 (A.R. 628) SOLD
1947 Wash drawing, gouache, and crayon on lithographic paper, transferred to stone on Renge Wove paper 20 x 12 ½ in. (50.8 x 31.75 cm.) (B. 450) (Printed by Mourlot, Paris.) SOLD
1971 Red earthenware terra cotta tile Stamped and hand-numbered , ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso’ J. 170 (verso) 5 ¾ x 5 ¾ in (48.6 x 48.6 cm) Executed in an edition of 500 (AR. 632) SOLD
(From the "Suite de 180 Dessins de Picasso" portfolio) 1954 Lithograph in colors Dated in plate (lower right) 10 x 14 inches (25.4 x 35.6 cm) From the edition of 2000 Published by Teriade, Paris; printed by Mourlot, Paris (Verve No. 29-30) SOLD
1971 Terracotta tile Stamped and hand-numbered, ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso’ J. 162 (verso) 5 7/8 x 5 3/4 x 1/4 in. (14.9 x 14.6 x .64 cm), unframed Executed in an edition of 500 (AR. 620) SOLD
1961 Linocut in colors on Arches paper Signed in pencil, numbered 29 ½ x 24 3/8 in. (75 x 62 cm) Edition of 50 (Published by Galerie Louise Leiris, Paris, 1963) Bloch 1064; Baer 1278 SOLD
Pablo Picasso (after) 1951 A squared earthenware tile With the artist’s signature within the lithography 8 ¼ x 8 ¼ inches (21 x 21 cm) Created to commemorate the World Festival of Youth and Students for Peace, Berlin 1951 SOLD
Pablo Picasso (after) Festival Mondial pour la Paix, 1951 Screenprint on linen 31 ½ x 28 ¾ inches (80 x 73 cm.), unframed With printed signature within the matrix From the unnumbered original edition Created to commemorate the World Festival of Youth and Students for Peace, Berlin 1951 SOLD
1971 Terra cotta tile Stamped and numbered, ‘Madoura Plein Feu’ and ‘Poinçon Original de Picasso/J.’ (verso) 6 x 6 inches (15.2 x 15.2 cm), unframed Edition of 500 (A.R. 618) SOLD
Pablo Picasso (after) 1963 Original lithograph in colors Signed in the lithographic plate, from the unnumbered edition 24 ⅜ x 17 ⅜ inches (36.5 x 44.1 cm), unframed SOLD
1969 Painted terra cotta plaque, partially glazed Stamped, marked and numbered "Madoura Plein Feu/Empreinte Originale de Picasso” with edition number (verso) 8 1/2 x 8 1/2 inches (21.7 x 21.7 cm) Edition of 100 (A.R. 594) SOLD
1957 Partially-glazed, original ceramic wall plaque in terra cotta with hand-painting Stamped, Madoura Plein Feu/Edition Picasso (verso) and numbered (verso) 9 ¼ inches (23.5 cm) diameter Edition of 500 (Raime 393) SOLD
1963 Red earthenware pitcher painted in black Incised "Edition Picasso" with the "Madoura Plein Feu" and "Edition Picasso" pottery stamps on underside 10 ½ inches (26.7 cm) Edition of 300 (A.R. 516) SOLD
1955 Earthenware glazed ceramic bowl, hand-painted Signed "Edition/Madoura/Picasso" 5 x 4 ¾ x 2 ½ inches (12.7 x 12.1 x 6.4 cm) Edition of 500 (A.R. 290) SOLD
1937/79 Lithograph on Arches paper Hand-signed by Marina Picasso and numbered 22 x 29 inches (56 x 74 cm), unframed Edition of 500 + 34 AP (With the Picasso estate embossed seal, lower right, and official estate ink stamp, verso) (Original image created 1937, lithograph printed 1979-82) SOLD
1962 Lithograph in colors on Rives paper Signed and dated by the artist in the plate 23 x 29 ¾ inches (58.4 x 75.6 cm) Published by Les Editions Combat Pour la Paid, France SOLD
1954 Partially glazed white earthenware pitcher painted in blue and black Edition of 300 Incised 'EDITION PICASSO' and 'MADOURA', with the 'MADOURA PLEIN FEU' and 'EDITION PICASSO' pottery stamps on the underside 8 x 9 x 4 inches (20.3 x 22.9 x 10.2 cm) SOLD
1953 Original lithograph in 8 colors on Arches Wove paper Signed and dated in the stone, lower right 20 11/16 x 29 3/16 inches (53 x 74.3 cm) Edition of238 Published by Fernand Mourlot, Paris (B.712; M. 214) SOLD
1966 Lithographic Poster 30 x 20 ½ in SOLD
1955 Lithograph on Arches paper 18 7/8 x 24 3/4 inches (48 x 63 cm) Printed by Mourlot, Paris SOLD
1956 Lithograph on Arches paper 18 7/8 x 24 3/4 inches SOLD
1969 Lithograph 26 x 19 in Edition of 50 SOLD
1971 Ceramic red earthenware clay tile Inscribed ‘Poincon Originale de Picasso’ and ‘Madoura Plein Feu’ (verso) with handwritten archive number and edition number in black ink (verso) 5 3/4 x 5 3/4 in (14.6 x 14.6 cm) Edition of 500 Created at the Madoura Foundry, Vallauris, France (AR. 624) SOLD
1955 Lithographic Poster 30 x 22 1/2 in SOLD
1963 Lithograph 35 x 25 in Edition of 200 SOLD
1959 Lithograph in colors on Arches paper 26 x 20 in SOLD
1961 Linocut in colors on Arches paper (for exhibition announcement) Signed in the plate with Marina Picasso stamp (recto) 9 x 4 ⅜ inches (23 x 11.1 cm) Edition of 2700 Printed by Mourlot, Paris (B. 1021) SOLD
1949 Lithograph in colors 25 x 20 in Edition of 300 SOLD
1953 Lithographic Poster 28 x 20 in SOLD
Pablo Picasso (after) 1963 Lithograph in colors on Arches paper Signed by the artist in the lithographic plate 26 3/4 x 21 3/4 inches (68 x 55.3 cm) Printed by Mourlot, Paris (B. 1148) SOLD
circa 1956 Lithograph 34 1/4 x 24 in Edition of 200 SOLD
(Baer 697.11.B.b) 1944 Lithograph printed by Mourlot in 1957 17 1/3 x 13 in SOLD
1969 Lithograph 15 1/2 x 19 1/2 in Edition of 300 SOLD
1969 Lithograph 15 ½ x 19 ½ in Edition of 300 SOLD
(from the "Suite de 180 Dessins de Picasso" portfolio) 1953-54 Lithograph in colors 10 x 13 5/8 inches SOLD
(from the "Suite de 180 Dessins de Picasso" portfolio) 1953-54 Lithograph in colors 10 x 13 5/8 inches SOLD
1969 Lithograph 25 x 18 in Edition of 200 SOLD
1971 Lithographic Poster 25 ¾ x 19 in SOLD
(B. 429) 1947 Scraped wash drawing on lithographic paper, transferred to stone, printed on Arches paper 17 ½ x 12 3/8 inches SOLD
1969 Lithograph 29 1/8 x 20 1/4 in SOLD
1958 Lithographic Poster 30 x 21 in SOLD
His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoiselles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame increased markedly.
By 1936 the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with the Communist Party began in 1944. From the late 1940s he lived in the south of France. Among the enormous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art, New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961 the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.