-
Danseuse Reflétée dans la Glace *
1927
Lithograph on Chine paper
Signed by the artist in pencil and numbered
15 ½ x 10 ¾ inches (39.4 x 27.3 cm)
Edition of 50
(D. 490)
SOLD
-
Danseuses Endormie au Divan *
1925-6
Lithograph on Arches paper
Signed by the artist in pencil and numbered
12 ¾ x 19 ¾ inches (32.4 x 50.2 cm)
Edition of 130
(D. 485)
SOLD
-
Dina Vierny *
1970
Original Lithographic Poster
30 x 22 in
SOLD
-
Échos IV - Copy *
1952
Lithograph on Arches paper
12 ¼ x 16 1/8 in
SOLD
-
Femme Bleu Assise I *
1952/54
Color lithograph derived after the cut-paper original maquette by the artist
Printed signature and date
19 ½ x 15 ¾ inches (49.5 x 40 cm)
From an edition of unknown size
Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse.
Issued by Teriade for Verve, Paris 1958. Lithograph plates erased after the edition.
SOLD
-
Femme Bleu Assise II *
1952/54
Color lithograph derived after the cut-paper original maquette by the artist
Printed signature and date
19 ½ x 15 ¾ inches (49.5 x 40 cm)
From an edition of unknown size
Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse.
Issued by Teriade for Verve, Paris 1958. Lithograph plates erased after the edition.
SOLD
-
Galerie Dina Vierny *
1982
Original Lithographic Poster
29 7/8 x 20 ½ in
SOLD
-
Galerie Jacques Benador *
1980
Original Lithographic Poster
30 1/8 x 19 5/8 in
SOLD
-
Il Me Semble Que Je Vous Parie *
1946
Lithograph
13 x 10 in
Trial Proof from the portfolio, Lettres Portugaises
SOLD
-
Jazz *
1947
Original Lithographic Poster
25 x 17 in
SOLD
-
L’Odalisque Assise *
(After Matisse)
Lithograph in colors
Signed by the artist in lithographic plate
25 ¼ x 19 in
Edition of 250
SOLD
-
La Danseuse Creole *
1950
Lithograph in colors on wove paper
Plate signed by the artist within the lithographic matrix, and dated
40 x 26 1/2 in (102 x 67 cm)
Printed by Atelier Mourlot, Paris
SOLD
-
La Petite Liseuse *
(Duthuit 431)
1923
Lithograph
19 ½ x 12 ¾ in
Proof for the edition of 50
SOLD
-
Les Mille et Une Nuits (Juin ‘50) *
(Exhibition Poster 101 Nights)
1950
Original Lithographic Poster
16 5/8 x 34 ¾ in
SOLD
-
Les Peintres Témoins De Leur Tem Exhibition Poster *
1953
Original Lithographic Poster
20 1/8 x 14 5/8 in
SOLD
-
Lettres Portugaises *
1946
Book in loose sheets illustrated by Henri Matisse, with slipcase
With 15 original lithographs, 56 ornaments and 35 lettrines
Justification page signed by Matisse
Printed by Mourlot, Paris
11 x 8 5/8 in
Edition of 250
SOLD
-
Madame Pompadour
1955
Original lithograph
12 1/2 x 9 7/8 in. (31.5 x 25 cm)
Edition of 2850
Published by Andre Sauret, Monte Carlo
(Rausch 340; D. 670)
INQUIRE
-
Matisse Drawings – Loeb & Krugier *
1967
Original Lithographic Poster
29 5/8 x 20 3/8 in
SOLD
-
Nadia au Regard Sérieux *
1948
Lift-ground aquatint on Marais paper
Signed by the artist in pencil and numbered
22 ¼ x 14 ¾ inches (56.5 x 37.5 cm)
Edition of 25
(D. 793)
SOLD
-
Nature Morte Au Magnolia *
1956
Musée National d'Art Moderne
Original Lithographic Poster
28 ½ x 20 in
SOLD
-
Nu Accroupi, Une Cordeliere Nouee Autour du Cou *
1931
Original etching with Chine-colle to Arches paper
Signed in pencil, and annotated "Essai" ("proof") in pencil
15 x 11 in. (38 x 28 cm), unframed
One of the two proofs aside from the edition of 25
(Duthuit 225)
SOLD
-
Nu au Bracelet
1940
Linocut on Wove paper
12 5/8 x 9 5/8 in. (32 x 24.4 cm)
From the unsigned, unnumbered edition printed by Chalcographie du Louvre
(Duthuit 725)
INQUIRE
-
Nu pour Cleveland
1932
Original etching with Chine-collé on cream wove paper
Hand-signed and numbered in pencil
20 x 15 7/8 in. (50.8 x 40.1 cm.), unframed
Edition of 250
Published by the Print Club of Cleveland
(Duthuit 233)
INQUIRE
-
Nu Su Rocking Chair *
(Duthuit 410)
1913
Lithograph on Japon paper
Signed and numbered
19 3/4 x 13 in
Edition of 50
SOLD
-
Orientale Assise, Voile sur la Tête *
1929
Dry-point in black on light tan Chine collé paper
Signed by the artist in pencil, and numbered
6 1/8 x 4 3/8 in. (15.6 x 11 cm), image; 10 x 8 ½ in. (25.4 x 21.6 cm), paper, unframed
Edition of 25
(Duthuit 153)
SOLD
-
Orientale sur Lit de Repos, Sol de Carreaux Rouges *
1948
Lithograph on Arches paper
Signed by the artist in pencil and numbered
17 ¼ x 24 ¼ inches (43.8 x 61.6 cm)
Edition of 50
(D. 513)
SOLD
-
Poemes de Charles D’Orleans *
1950
Book in loose sheets illustrated by Matisse, with slipcase
With 54 original lithographs
Justification page signed by Matisse
Printed by Mourlot, Paris
16 3/8 x 10 5/8 in
Edition of 1200
SOLD
-
Sword Swallower *
(from the Jazz suite)
1947
Pochoir on paper
Signed and numbered
16 ½ x 25 ¾ in
(double sheet, corresponding page blank)
Edition of 100
SOLD
-
Visage Souriant *
(Duthuit 298)
1946
Etching
Signed and numbered
9 ¼ x 7 in
Edition of 25
SOLD
Henri Matisse was born in Le Cateau-Cambrésis in northern France on December 31, 1869. The son of a middle-class family, he studied and began to practice law. In 1890, however, while recovering slowly from an attack of appendicitis, he became intrigued by the practice of painting. In 1892, having given up his law career, he went to Paris to study art formally. He joined Gustave Moreau’s studio at the Ecole des Beaux-Arts.
Matisse’s true artistic liberation, in terms of the use of color to render forms and organize spatial planes, came about first through the influence of the French painters Paul Gauguin and Paul Cézanne and the Dutch artist Vincent van Gogh, whose work he studied closely beginning about 1899.
Although intellectually sophisticated, Matisse always emphasized the importance of instinct and intuition in the production of a work of art. He argued that an artist did not have complete control over color and form; instead, colors, shapes, and lines would come to dictate to the sensitive artist how they might be employed in relation to one another. He often emphasized his joy in abandoning himself to the play of the forces of color and design, and he explained the rhythmic, but distorted, forms of many of his figures in terms of the working out of a total pictorial harmony.
From the 1920s until his death, Matisse spent much time in the south of France, particularly Nice, painting local scenes with a thin, fluid application of bright color. Often bedridden during his last years, he occupied himself with decoupage, creating works of brilliantly colored paper cutouts arranged casually, but with an unfailing eye for design, on a canvas surface.
Matisse died in Nice on November 3, 1954. Unlike many artists, he was internationally popular during his lifetime, enjoying the favor of collectors, art critics, and the younger generation of artists.
Matisse, Henri
1927 Lithograph on Chine paper Signed by the artist in pencil and numbered 15 ½ x 10 ¾ inches (39.4 x 27.3 cm) Edition of 50 (D. 490) SOLD
1925-6 Lithograph on Arches paper Signed by the artist in pencil and numbered 12 ¾ x 19 ¾ inches (32.4 x 50.2 cm) Edition of 130 (D. 485) SOLD
1970 Original Lithographic Poster 30 x 22 in SOLD
1952 Lithograph on Arches paper 12 ¼ x 16 1/8 in SOLD
1952/54 Color lithograph derived after the cut-paper original maquette by the artist Printed signature and date 19 ½ x 15 ¾ inches (49.5 x 40 cm) From an edition of unknown size Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse. Issued by Teriade for Verve, Paris 1958. Lithograph plates erased after the edition. SOLD
1952/54 Color lithograph derived after the cut-paper original maquette by the artist Printed signature and date 19 ½ x 15 ¾ inches (49.5 x 40 cm) From an edition of unknown size Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse. Issued by Teriade for Verve, Paris 1958. Lithograph plates erased after the edition. SOLD
1982 Original Lithographic Poster 29 7/8 x 20 ½ in SOLD
1980 Original Lithographic Poster 30 1/8 x 19 5/8 in SOLD
1946 Lithograph 13 x 10 in Trial Proof from the portfolio, Lettres Portugaises SOLD
1947 Original Lithographic Poster 25 x 17 in SOLD
(After Matisse) Lithograph in colors Signed by the artist in lithographic plate 25 ¼ x 19 in Edition of 250 SOLD
1950 Lithograph in colors on wove paper Plate signed by the artist within the lithographic matrix, and dated 40 x 26 1/2 in (102 x 67 cm) Printed by Atelier Mourlot, Paris SOLD
(Duthuit 431) 1923 Lithograph 19 ½ x 12 ¾ in Proof for the edition of 50 SOLD
(Exhibition Poster 101 Nights) 1950 Original Lithographic Poster 16 5/8 x 34 ¾ in SOLD
1953 Original Lithographic Poster 20 1/8 x 14 5/8 in SOLD
1946 Book in loose sheets illustrated by Henri Matisse, with slipcase With 15 original lithographs, 56 ornaments and 35 lettrines Justification page signed by Matisse Printed by Mourlot, Paris 11 x 8 5/8 in Edition of 250 SOLD
1967 Original Lithographic Poster 29 5/8 x 20 3/8 in SOLD
1948 Lift-ground aquatint on Marais paper Signed by the artist in pencil and numbered 22 ¼ x 14 ¾ inches (56.5 x 37.5 cm) Edition of 25 (D. 793) SOLD
1956 Musée National d'Art Moderne Original Lithographic Poster 28 ½ x 20 in SOLD
1931 Original etching with Chine-colle to Arches paper Signed in pencil, and annotated "Essai" ("proof") in pencil 15 x 11 in. (38 x 28 cm), unframed One of the two proofs aside from the edition of 25 (Duthuit 225) SOLD
(Duthuit 410) 1913 Lithograph on Japon paper Signed and numbered 19 3/4 x 13 in Edition of 50 SOLD
1929 Dry-point in black on light tan Chine collé paper Signed by the artist in pencil, and numbered 6 1/8 x 4 3/8 in. (15.6 x 11 cm), image; 10 x 8 ½ in. (25.4 x 21.6 cm), paper, unframed Edition of 25 (Duthuit 153) SOLD
1948 Lithograph on Arches paper Signed by the artist in pencil and numbered 17 ¼ x 24 ¼ inches (43.8 x 61.6 cm) Edition of 50 (D. 513) SOLD
1950 Book in loose sheets illustrated by Matisse, with slipcase With 54 original lithographs Justification page signed by Matisse Printed by Mourlot, Paris 16 3/8 x 10 5/8 in Edition of 1200 SOLD
(from the Jazz suite) 1947 Pochoir on paper Signed and numbered 16 ½ x 25 ¾ in (double sheet, corresponding page blank) Edition of 100 SOLD
(Duthuit 298) 1946 Etching Signed and numbered 9 ¼ x 7 in Edition of 25 SOLD
Matisse’s true artistic liberation, in terms of the use of color to render forms and organize spatial planes, came about first through the influence of the French painters Paul Gauguin and Paul Cézanne and the Dutch artist Vincent van Gogh, whose work he studied closely beginning about 1899.
Although intellectually sophisticated, Matisse always emphasized the importance of instinct and intuition in the production of a work of art. He argued that an artist did not have complete control over color and form; instead, colors, shapes, and lines would come to dictate to the sensitive artist how they might be employed in relation to one another. He often emphasized his joy in abandoning himself to the play of the forces of color and design, and he explained the rhythmic, but distorted, forms of many of his figures in terms of the working out of a total pictorial harmony.
From the 1920s until his death, Matisse spent much time in the south of France, particularly Nice, painting local scenes with a thin, fluid application of bright color. Often bedridden during his last years, he occupied himself with decoupage, creating works of brilliantly colored paper cutouts arranged casually, but with an unfailing eye for design, on a canvas surface.
Matisse died in Nice on November 3, 1954. Unlike many artists, he was internationally popular during his lifetime, enjoying the favor of collectors, art critics, and the younger generation of artists.