1994
Original screenprint and unique hand-coloring on paper
Signed, dated and numbered in pencil, designated WP
30 x 22 in. (76.2 x 56 cm), unframed
Unique monoprint from an edition of 20 WP
Anne
1985
Original lithograph on wove paper
Signed and dated in pencil, and numbered
68 1/4 x 39 1/4 in. (173.4 x 99.7 cm)
Edition of 38 + 10 AP
Black Flag
1999
Three-dimensional cast-paper relief
Hand-signed by the artist, and numbered in pencil
27 3/4 x 44 x 3 1/2 in (70.5 x 112 x 9 cm), unframed
Edition of 60
Cindy
2002
(from the Men in the Cities series)
Original lithograph in black and grey on Rives BFK
Signed, numbered and dated in pencil
46 x 30 in. (117 x 76.2 cm), unframed
Edition of 120
Cindy and Eric
2014
A portfolio of 2 color archival pigment prints
Signed, dated and numbered, verso
18 x 13 3/4 in. (45.5 x 35.4 cm), each, unframed
Edition of 75
Eric
1979/2009
(from the Men in the Cities portfolio)
Chromogenic print
Signed by the artist in felt tip pen, and numbered
10 x 7 1/4 in (25.5 x 18.5 cm), unframed
Edition of 100
Eric
1985
(from the Men in the Cities portfolio)
Original lithograph
Signed, dated and numbered in pencil
71 1/2 x 38 1/2 in. (182 x 98 cm), unframed
Edition of 48
Gretchen
1985
(from the Men in the Cities portfolio)
Original lithograph
Signed, dated and numbered in pencil
71 1/2 x 38 1/2 in. (182 x 98 cm), unframed
Edition of 48
Gretchen *
2002
Original lithograph on BFK Rives paper
Signed in pencil, dated and numbered
46 x 30 in. (117 x 76.2 cm), unframed
Edition of 120
James *
1999
(from the Men in the Cities portfolio)
Lithograph on Arches paper with full margins
Signed, dated, and numbered in pencil
70 1/8 x 40 in. (178 x 101.7 cm.)
Edition of 50
Jules *
1982-83
Original lithograph with embossing
Signed by the artist in pencil and numbered
30 x 15 in. (76.2 x 38.1 cm.)
Edition of 45
Larry *
1983
(from Men in the Cities)
Original lithograph on rag paper
Signed, dated and numbered in pencil
70 x 36 in (178 x 91.4 cm), unframed
Edition of 48 + 10 AP
Published by Editions Schellmann
Raphael
1998
Original lithograph on BFK Rives paper
Signed in pencil, dated and numbered
40 x 30 in. (101.6 x 76.2 cm), unframed
Edition of 120
Russian Bomb (Semipalatinsk) *
2011
Digital print on wove paper
Signed and dated in pencil and numbered
23 7/8 x 17 7/8 in. (60.6 x 45.4 cm.)
Edition of 35
Sandy *
1999
(from the Men in the Cities portfolio)
Lithograph on Arches paper
Signed by the artist in pencil, dated and numbered
70 1/8 x 40 in. (178 x 101.7 cm.)
Edition of 50
Untitled (1)
1990
(from Men in the Cities)
Original lithograph on Arches paper
Signed in pencil, and dated and numbered
26 x 40 in. (66 x 101.6 cm.), unframed
Edition of 48
Published by Seibu Department Stores, Tokyo
Untitled (from Men in the Cities)
2005
Archival pigment print
44 x 30.5 in. (111.76 x 77.47 cm.)
Edition of 15
Untitled (II)
1990
(from Men in the Cities)
Original lithograph on Arches paper
Signed in pencil, and dated and numbered
26 x 40 in. (66 x 101.6 cm.), unframed
Edition of 48
Published by Seibu Department Stores, Tokyo
Untitled (III) *
1990
(from Men in the Cities)
Original lithograph on Arches paper
Signed in pencil, and dated and numbered
26 x 40 in. (66 x 101.6 cm.), unframed
Edition of 48
Published by Seibu Department Stores, Tokyo
Untitled (IV) *
1990
(from Men in the Cities)
Original lithograph on Arches paper
Signed in pencil, and dated and numbered
40 x 26 in. (101.6 x 66), unframed
Edition of 48
Published by Seibu Department Stores, Tokyo
Untitled (V) *
1990
(from Men in the Cities)
Original lithograph on Arches paper
Signed in pencil, and dated and numbered
40 x 26 in. (101.6 x 66 cm), unframed
Edition of 48
Published by Seibu Department Stores, Tokyo
Untitled *
2011
Digital pigment print
Signed by the artist, dated, and numbered
33 7/8 x 23 3/8 in. (86 x 59.4 cm.)
From the edition of 30 + 5 AP
Untitled *
2016
Original C-Print in colors on photo paper
Signed by the artist in black marker, and numbered
18 x 14 in. (45.7 x 35.6 cm), unframed
Edition of 100
Untitled *
1996
Original lithograph
Signed, dated and numbered in pencil
23 x 42 in. (58.4 x 106.7 cm), unframed
Edition of 25
Untitled *
1989
(from Men in the Cities)
Original lithograph in black and white with embossed paper
Signed in pencil, dated and numbered
21 1/4 x 30 in. (54 x 76 cm), unframed
Edition of 100 + 5 AP
White Flag
1992
Screenprint on Fabriano paper
Signed in pencil, dated and numbered
23 x 30 in. (58.2 x 76.2 cm), unframed
Edition of 100
Gretchen *
1982-83
Lithograph with embossing on Arches paper
Signed by the artist in pencil, dated and numbered
36 ½ x 21 inches (92.7 x 53.3 cm)
Edition of 45
Study of Dave *
(From Men in the Cities)
1993
Lithograph printed in black and grey on stiff Wove paper
Signed by the artist in pencil, dated and numbered
22.75 x 14.13 inches (58 x 36 cm)
Edition of 35
Robert Longo was born in 1953 in Brooklyn, New York. Longo was raised on suburban Long Island where as a youth he participated in various arts activities from a very young age. Longo developed an early fascination with all forms of mass media; especially movies, television, magazines, and comic books. Robert Longo’s works are filled with deep emotions that are both primitive and at the same time self-conscious. One of the quintessential artists of the 1980s, Longo’s “Men in the Cities” series portrays a group of sharply dressed businessmen writhing in contorted agony. Few artists have enjoyed the international visibility of Robert Longo and fewer still have generated as much thought -provoking commentary about their own art and about the state of contemporary culture at large.
His original art is immediately recognizable by many who have seen only few examples of it. Robert Longo has exhibited in over 28 cities, across 4 continents and has been the subject of several major retrospects around the world. His ability to capture detail and movement with just one color, black, conveys his sheer brilliance.
Vera Lutter was born in Kaiserslautern, Germany, in 1960. Since completing her photographic studies at both the Munich Art Academy and the School of Visual …
Longo, Robert
His original art is immediately recognizable by many who have seen only few examples of it. Robert Longo has exhibited in over 28 cities, across 4 continents and has been the subject of several major retrospects around the world. His ability to capture detail and movement with just one color, black, conveys his sheer brilliance.