-
Arcs from Four Corners *
1986
Woodcut in colors
Signed by the artist in pencil, and numbered
23 x 32 1/2 (58.4 x 82.5 cm), unframed
Edition of 200
SOLD
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Broken Color Bands in Four Directions *
2005
Linocut
Edition of 50 +10 AP
Signed by the artist in pencil, numbered
18 x 43.5 inches (45.7 x 110.5 cm)
SOLD
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Broken Grey Bands in Four Directions *
2005
Linocut
Signed and numbered
18 x 43 ½ in
Edition of 50
SOLD
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Composition pour les JO
1992
Screenprint in colors on Arches paper
Signed by the artist in pencil, and numbered
35 1/2 x 24 3/4 in. (90 x 63 cm), unframed
Edition of 250
INQUIRE
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Tumblers *
2003
A set of four hand-engraved, mouth blown crystal tumblers
With the artist's etched signature, numbered
5 x 3 1/2 x 3 1/2 in. (12.7 x 9 x 9 cm) each
Edition of 250
SOLD
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Untitled *
2001
(from the Doctors of the World portfolio)
Original linocut in colors on Somerset paper
Signed in pencil, and numbered
30 1/2 x 30 1/2 in. (77.5 x 77.5 cm)
Edition of 100
SOLD
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Untitled *
1998
Screenprint in colors on Somerset Satin White paper
Signed by the artist in pencil, and numbered
38 x 30 1/4 in. (96.5 x 76.8 cm.)
Edition of 108 + 18 AP
Published by Lincoln Center for the Performing Arts, NYC
(S.94)
SOLD
-
Untitled *
2006
Glazed, painted porcelain
Signed by the artist within the glaze, verso
11 3/4 in. (30cm), diameter
Edition of 500
SOLD
-
Untitled *
1970
(from the Composite Series of five individual prints)
Original screenprint in colors on Strathmore paper
Signed in pencil, and numbered
20 x 20 in. (50.8 x 50.8 cm), unframed
Edition of 150
SOLD
-
Untitled *
1980
(From Eight Squares with a Different Color in Each Half Square)
An original screenprint in colors on Arches paper
Signed in pencil, and numbered
18 x 18 in. (45.7 x 45.7 cm), unframed
Edition of 50
SOLD
-
Wavy Bands in Colors *
1996
Woodcut on Japanese hand-made paper
Signed by the artist in pencil, and numbered
22 ½ x 22 ½ inches (57.2 x 57.2 cm)
Edition of 60
SOLD
Sol LeWitt was born September 9, 1928, in Hartford, Connecticut, and attended Syracuse University, receiving his BFA in 1949. After serving as a graphic artist during the Korean War, LeWitt moved to New York in 1953, where he worked as a draftsman for architect, I.M. Pei. Later, taking an entry-level job at the Museum of Modern Art, New York, LeWitt worked with fellow artists Robert Ryman, Dan Flavin, and Robert Mangold.
LeWitt helped establish Conceptual Art and Minimalism of the post war era, creating drawings and structures (a term that the artist preferred to sculpture) by reducing art to the most basic shapes and colors.
The Museum of Modern Art, New York, gave LeWitt his first retrospective, Sol LeWitt, in 1978-79 and then in 1996 organized a traveling survey exhibition, Sol LeWitt Prints: 1970 – 1995. The exhibition traveled to the Museum of Contemporary Art, Chicago and the Whitney Museum of American Art, New York.
LeWitt has been included in numerous museum exhibitions, including the Tate Gallery, London; Museum of Modern Art, San Francisco; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, Los Angeles; MASS MoCA, Massachusetts; Museum of Modern Art, New York; and UCLA Hammer Museum, Los Angeles.
LeWitt, Sol
1986 Woodcut in colors Signed by the artist in pencil, and numbered 23 x 32 1/2 (58.4 x 82.5 cm), unframed Edition of 200 SOLD2005 Linocut Edition of 50 +10 AP Signed by the artist in pencil, numbered 18 x 43.5 inches (45.7 x 110.5 cm) SOLD2005 Linocut Signed and numbered 18 x 43 ½ in Edition of 50 SOLD2003 A set of four hand-engraved, mouth blown crystal tumblers With the artist's etched signature, numbered 5 x 3 1/2 x 3 1/2 in. (12.7 x 9 x 9 cm) each Edition of 250 SOLD2001 (from the Doctors of the World portfolio) Original linocut in colors on Somerset paper Signed in pencil, and numbered 30 1/2 x 30 1/2 in. (77.5 x 77.5 cm) Edition of 100 SOLD1998 Screenprint in colors on Somerset Satin White paper Signed by the artist in pencil, and numbered 38 x 30 1/4 in. (96.5 x 76.8 cm.) Edition of 108 + 18 AP Published by Lincoln Center for the Performing Arts, NYC (S.94) SOLD2006 Glazed, painted porcelain Signed by the artist within the glaze, verso 11 3/4 in. (30cm), diameter Edition of 500 SOLD1970 (from the Composite Series of five individual prints) Original screenprint in colors on Strathmore paper Signed in pencil, and numbered 20 x 20 in. (50.8 x 50.8 cm), unframed Edition of 150 SOLD1980 (From Eight Squares with a Different Color in Each Half Square) An original screenprint in colors on Arches paper Signed in pencil, and numbered 18 x 18 in. (45.7 x 45.7 cm), unframed Edition of 50 SOLD1996 Woodcut on Japanese hand-made paper Signed by the artist in pencil, and numbered 22 ½ x 22 ½ inches (57.2 x 57.2 cm) Edition of 60 SOLDLeWitt helped establish Conceptual Art and Minimalism of the post war era, creating drawings and structures (a term that the artist preferred to sculpture) by reducing art to the most basic shapes and colors.
The Museum of Modern Art, New York, gave LeWitt his first retrospective, Sol LeWitt, in 1978-79 and then in 1996 organized a traveling survey exhibition, Sol LeWitt Prints: 1970 – 1995. The exhibition traveled to the Museum of Contemporary Art, Chicago and the Whitney Museum of American Art, New York.
LeWitt has been included in numerous museum exhibitions, including the Tate Gallery, London; Museum of Modern Art, San Francisco; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, Los Angeles; MASS MoCA, Massachusetts; Museum of Modern Art, New York; and UCLA Hammer Museum, Los Angeles.