-
Balloon Dog (Blue) *
2002
Glazed Porcelain sculpture
Signed and numbered (verso)
10 ½ in diameter (26.7 cm)
Edition of 2300
SOLD
-
Monkey Train Decks for Supreme *
2006
Three individual skatedecks, each a screenprint in colors
Each with printed signature and inscription 'Monkey Train/JK' (on base on each deck)
31 x 7¾ in. (78.8 x 19.8 cm.), each
Edition of 500
SOLD
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Monkey Train Skate Deck *
2006
Original screenprint on thermoformed plywood skateboard deck
With artist's signature and the inscription 'Monkey Train' (verso)
8 x 32 x 1 1/2 in. (20.3 x 81.3 x 3.8 cm)
From the unnumbered edition of 500 as issued
Produced by Supreme, NYC
SOLD
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Untitled *
2000
Screenprint on birch wood, wooden ball, painted metal and string
12 ¼ x 8 x 2 ½ in (31 x 20 x 6.5 cm), unframed
Stamped verso (with artist’s copyright noting “for the deutsche guggenheim berlin”)
Edition of 900
SOLD
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Balloon Dog (Red) *
1995
Porcelain sculpture mounted on porcelain plate painted in chrome
Printed with the artist’s signature and hand-numbered (verso)
10. 5 in. (26.7 cm.)
Edition of 2300
SOLD
-
Balloon Dog (Yellow) *
2015
Porcelain sculpture painted in chrome
Artist’s signature and edition number, verso
10 ½ in. (26.7 cm.), diameter
Edition of 2300
SOLD
-
Mirror (Kangaroo) *
2003
Polystyrene and plexiglas mirror
Signed, dated and numbered
11 x 7 x ½ in (28 x17.8 x 1.3 cm)
Edition of 2000
(with original DVD "Jeff Koons / A Man of Trust”)
SOLD
-
Loopy *
2000
High gloss Fujiflex print
Signed, dated and numbered (verso)
34 x 24 in. (86.4 x 61 cm.), unframed
Edition of 1000
SOLD
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Untitled *
2009
Original drawing, silver marker on paper
Signed by the artist and dated
9 ½ x 13 inches (23.1 x 33 cm)
(Drawn on the inside cover and inclusive of the book, Pictures: Jeff Koons 1980-2002; Published by DAP, Inc. New York.)
SOLD
-
Untitled *
2010
Original silver marker drawing on vinyl album cover
Signed and dated by the artist in silver marker
12.2 x 12.2 inches (31 x 31 cm)
SOLD
-
Flowers *
2001
Lithograph in colors on wove paper
Signed, dated and numbered in pencil
41 ½ x 29 ½ inches (105 x 75 cm)
Edition of 150
SOLD
Jeff Koons was born in 1955 in York, Pennsylvania. He received his B.F.A. at the Maryland Institute College of Art in Baltimore and studied at the School of the Art Institute of Chicago. Since his emergence in the 1980s Jeff Koons has blended the concerns and methods of Pop, Conceptual, and appropriation art with craft-making and popular culture to create his own unique iconography, often controversial and always engaging. His work explores contemporary obsessions with sex and desire; race and gender; and celebrity, media, commerce, and fame. A self-proclaimed “idea man,” Koons hires artisans and technicians to make the actual works. For him, the hand of the artist is not the important issue: “Art is really just communication of something and the more archetypal it is, the more communicative it is.”
Jeff Koons’ artworks rarely inspire moderate responses, and this is one signal of the importance of his achievement. Focusing on some of the most unexpected objects as models for his work, Koons’ works eschew typical standards of “good taste” in art and zero in rather precisely on the vulnerabilities of hierarchies and value systems. As critic Christopher Knight has written “He turns the traditional cliché of the work of art inside out: Rather than embodying a spiritual or expressive essence of a highly individuated artist, art here is composed from a distinctly American set of conventional middle-class values.”
Since his first solo show in 1980, Koons’ work has been widely exhibited internationally in solo and group exhibitions. Recent solo shows include the Museo Archeologico Nazionale di Napoli (2003), the Astrup Fearnley Museum of Modern Art, Oslo (2004), which traveled to the Helsinki City Art Museum (2005); Museum of Contemporary Art, Chicago (2008); “Jeff Koons: Versailles”, Chateâu de Versailles, France (2008-2009). In 2009 alone, Koons had four major solo exhibitions in public institutions: the Museum of Contemporary Art, Chicago; the rooftop of the Metropolitan Museum of Art, New York; the Neue Nationalgalerie, Berlin; and the Serpentine Gallery, London. Koons lives and works in New York City.
Koons, Jeff
2002 Glazed Porcelain sculpture Signed and numbered (verso) 10 ½ in diameter (26.7 cm) Edition of 2300 SOLD
2006 Three individual skatedecks, each a screenprint in colors Each with printed signature and inscription 'Monkey Train/JK' (on base on each deck) 31 x 7¾ in. (78.8 x 19.8 cm.), each Edition of 500 SOLD
2006 Original screenprint on thermoformed plywood skateboard deck With artist's signature and the inscription 'Monkey Train' (verso) 8 x 32 x 1 1/2 in. (20.3 x 81.3 x 3.8 cm) From the unnumbered edition of 500 as issued Produced by Supreme, NYC SOLD
2000 Screenprint on birch wood, wooden ball, painted metal and string 12 ¼ x 8 x 2 ½ in (31 x 20 x 6.5 cm), unframed Stamped verso (with artist’s copyright noting “for the deutsche guggenheim berlin”) Edition of 900 SOLD
1995 Porcelain sculpture mounted on porcelain plate painted in chrome Printed with the artist’s signature and hand-numbered (verso) 10. 5 in. (26.7 cm.) Edition of 2300 SOLD
2015 Porcelain sculpture painted in chrome Artist’s signature and edition number, verso 10 ½ in. (26.7 cm.), diameter Edition of 2300 SOLD
2003 Polystyrene and plexiglas mirror Signed, dated and numbered 11 x 7 x ½ in (28 x17.8 x 1.3 cm) Edition of 2000 (with original DVD "Jeff Koons / A Man of Trust”) SOLD
2000 High gloss Fujiflex print Signed, dated and numbered (verso) 34 x 24 in. (86.4 x 61 cm.), unframed Edition of 1000 SOLD
2009 Original drawing, silver marker on paper Signed by the artist and dated 9 ½ x 13 inches (23.1 x 33 cm) (Drawn on the inside cover and inclusive of the book, Pictures: Jeff Koons 1980-2002; Published by DAP, Inc. New York.) SOLD
2010 Original silver marker drawing on vinyl album cover Signed and dated by the artist in silver marker 12.2 x 12.2 inches (31 x 31 cm) SOLD
2001 Lithograph in colors on wove paper Signed, dated and numbered in pencil 41 ½ x 29 ½ inches (105 x 75 cm) Edition of 150 SOLD
Jeff Koons’ artworks rarely inspire moderate responses, and this is one signal of the importance of his achievement. Focusing on some of the most unexpected objects as models for his work, Koons’ works eschew typical standards of “good taste” in art and zero in rather precisely on the vulnerabilities of hierarchies and value systems. As critic Christopher Knight has written “He turns the traditional cliché of the work of art inside out: Rather than embodying a spiritual or expressive essence of a highly individuated artist, art here is composed from a distinctly American set of conventional middle-class values.”
Since his first solo show in 1980, Koons’ work has been widely exhibited internationally in solo and group exhibitions. Recent solo shows include the Museo Archeologico Nazionale di Napoli (2003), the Astrup Fearnley Museum of Modern Art, Oslo (2004), which traveled to the Helsinki City Art Museum (2005); Museum of Contemporary Art, Chicago (2008); “Jeff Koons: Versailles”, Chateâu de Versailles, France (2008-2009). In 2009 alone, Koons had four major solo exhibitions in public institutions: the Museum of Contemporary Art, Chicago; the rooftop of the Metropolitan Museum of Art, New York; the Neue Nationalgalerie, Berlin; and the Serpentine Gallery, London. Koons lives and works in New York City.