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Ada in Purple Hat *
2017
Digital pigment print
Signed by the artist in pencil, and numbered
46 x 21 in. (117 x 53 cm), unframed
Edition of 125
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Ada with Sunglasses
1990
(from the Alex and Ada: 1960’s-1990’s portfolio)
Original screenprint in colors
Signed in pencil, and numbered
36 x 24 inches (91.5 x 61 cm), unframed
Edition of 150
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Ariel Black
2016
2-color silkscreen
Signed by the artist in pencil, and numbered
36 x 76 in (91 x 193 cm), unframed
Edition of 40
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Chance
2016
Three-dimensional sculpture, archival ink on aluminum mounted on polished aluminum base
Artist’s etched signature, date and edition number on base
21 ¾ x 37 x 4 in. (55.2 x 94 x 10.2 cm)
Edition of 50
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Jessica
2002
Screenprint in 40 colors on cur aluminum with bronze base
Signed and numbered in permanent marker (verso)
17 x 13 1/2 x 1/4 in.( 43.2 x 34.3 x .5 cm)
Edition of 35 + 7 AP
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Laura
2018
Archival pigment inks on Crane Museo Max paper
Signed by the artist in pencil, and numbered
46 x 30 1/2 in. (117 x 77.5 cm), unframed
Edition of 100
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Night: William Dunas Dance 4/Pamela *
1979
Thirteen-color lithograph on Arches paper
Signed by the artist in pencil and numbered
28 x 30 inches (71.1 x 76.2 cm)
Edition of 125
(Maravell 149)
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Nicole *
2016
Archival pigment inks on Crane Museo Max 365 fine art paper
Signed by the artist in pencil, and numbered
46 x 23 in (116 x 58 cm), unframed
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The Swimmer
1974
Aquatint on paper
Signed by the artist in pencil, and numbered
28 x 36 in. (71 x 91.4 cm)
Edition of 84
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Black Hat (Ada)
2012
Original woodcut
Signed by the artist in pencil, and numbered
21 x 20 in. (53.3 x 50.8 cm)
Edition of 25
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Coleman Pond III *
2007
Original woodblock print in colors on Japon paper
Signed by the artist in pencil, and numbered
6 1/8 x 7 ½ in (15.6 x 18.8 cm), unframed
Edition of 50
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Pamela *
1976
Original lithograph with screenprint in colors
Hand-signed by the artist in pencil and numbered
28 ½ x 22 inches (72.4 x 55.9 cm)
Edition of 30
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The Black Dress *
2015
A portfolio of nine individual screenprints in color
Hand-signed by the artist and numbered
80 x 30 in. (203 x 76 cm), each
Edition of 35
(offered as a complete set, not individually)
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Sunny *
2004
Color silkscreen laid down on cut aluminum
Signed by the artist, and numbered
5 x 6 x 2 in. (12.7 x 15.2 x 5 cm.)
Edition of 70
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Pas de Deux V
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
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Pas de Deux IV
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
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Pas de Deux III
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
-
Pas De Deux I
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
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Pas de Deux II
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
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Northern Landscapes
A suite of three original prints comprised of Bright Light, Fog, and Night
1994
Woodcut on Japon paper
Each signed in pencil and numbered
20 x 16 inches (each)
Edition of 100
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Ada with Flowers *
1980
Screenprint in colors on Grammercy paper
Signed by the artist in pencil, and numbered
48 1/8 x 36 1/8 in. (122.2 x 91.8 cm)
Edition of 65
(Maravell 123)
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Day Lilies *
1993
Original screenprint in colors
Signed by the artist in pencil, and numbered
14 x 39 ¾ in (35.6 x 101cm)
Edition of 108
(Published by Lincoln Center for the Performing Arts, NYC)
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Ada in Hat
1990
from the Alex and Ada, 1960’s-1980’s portfolio
Screenprint in colors
Signed by the artist in pencil and numbered
24 1/4 x 36 inches (61.6 x 91.4 cm)
Edition of 150
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Anastasia *
1984
Original lithograph in colors
Hand-signed by the artist in pencil and numbered
29 1/2 x 25 inches (75 x 63.5 cm)
Edition of 100
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Black Scarf *
1996
Screenprint in colors
Signed and numbered
46 1/2 x 31 inches (118.1 x 78.4 cm)
Edition of 75
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Ariel (Red) *
2016
26-color silkscreen
Hand-signed by the artist and numbered
36 x 76 in. (91 x 193 cm), unframed
Edition of 56
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Vincent *
1982
Etching and aquatint in colors on Arches paper
Signed by the artist in pencil and numbered
61 x 35 ¼ inches (155 x 89.5 cm)
Edition of 50
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Late Summer Flowers *
2013
38 color screenprint on museum board
Signed by the artist in pencil and numbered
40 x 55 inches (102 x 140 cm)
Edition 50
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Superb Lilies *
1972
Original lithograph in colors on Arches paper
Signed by the artist in pencil and numbered
19 x 20 ¼ inches (48.3 x 51.4 cm)
Edition of 90
(Maravell 62)
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Reflection II *
2011
3-color etching on Somerset white paper
Hand-signed in pencil by the artist and numbered
41 x 31 inches (104 x 78.4 cm)
Edition of 30
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Brisk Day *
1990
Screenprint in colors on Wove paper
Signed in pencil and numbered
36 x 29 inches (91.4 x 73.7 cm)
Edition of 150 (+15 AP)
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Day Lily II *
1969
Lithograph in colors on Arches paper
Signed by the artist in pencil, numbered
Edition of 90
21 3/4 x 27 3/4 inches ( 55.4 x 70.6 cm)
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Camp *
1990
Woodcut
Signed and numbered
60 x 40 in
Edition of 60
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Eleuthera *
1999
Screenprint in colors on Wove paper
Signed by the artist in pencil, and numbered
26 3/4 x 48 inches (68 x 122 cm)
Edition of 75
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Forest *
2008
Woodcut and linocut
Signed and numbered
28 3/4 x 67 3/4 in
Edition of 45
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Grey Dress
1992
Screenprint in colors
Signed and numbered
36 x 28 in
Edition of 150
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Grey Umbrella *
1979-80
Lithograph on Arches paper
Signed and numbered in pencil
20 x 30 1/4 inches (51 x 77 cm)
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Green Jacket
1990
from the Alex and Ada, 1960-1980 portfolio
Screenprint in colors
Signed and numbered
36 x 24 inches
Edition of 150
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Grey Ribbon
From the Alex and Ada, 1960-1980 portfolio
1990
Screenprint in colors
Signed and numbered
27 1/2 x 36 inches
Edition of 150
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Homage to Frank O’Hara *
1972
Original lithograph in colors
Signed by the artist and numbered
33 1/4 x 25 1/2 inches (84.5 x 64.8 cm)
Edition of 90
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Impatiens *
2001
Linocut
Signed and numbered
56 x 36 1/4 in
Edition of 35
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Maria I
1993
Etching and aquatint in colors on Wove paper
Signed by the artist in pencil and numbered
17 x 21 3/4 inches (43.2 x 55.3 cm)
Edition of 75
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Maria II
1993
Etching and aquatint in colors on Wove paper
Signed by the artist in pencil and numbered
17 x 21 3/4 inches (43.2 x 55.3 cm)
Edition of 75
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Olympic Swimmer
1976
Screenprint
Signed and numbered
39 3/4 x 24 3/4 in
Edition of 200
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Orange Hat
From the Alex and Ada, 1960’s-1980’s portfolio
1990
Screenprint in colors
Signed and numbered
18 x 36 inches
Edition of 150
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Reflection
2010
Screenprint in colors
Signed and numbered
58 x 58 in
Edition of 50
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Self Portrait (Passing) *
1990
Screenprint in colors
Signed and numbered
36 x 25 1/2 in
Edition of 150
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Sweatshirt II
From the Alex and Ada, 1960-1980 portfolio
1990
Screenprint in colors
Signed and numbered
36 x 28 1/2 inches
Edition of 150 + 30 AP
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The Sailor Hat *
2003
Linocut
Signed and numbered
19 1/2 x 17 1/4 in
Edition of 60
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White Hat
From the Alex and Ada, 1960-1980 portfolio
1990
Screenprint in colors
Signed and numbered
36 x 25 1/2 inches
Edition of 150 + 30 AP
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William Dunas Dance Suite: I-IV *
1979
Suite of four lithographs in colors
Signed and numbered
28 x 30 in (each)
Edition of 100
Alex Katz is one of the most important American artists to have emerged since 1950. Throughout his career, which now spans more than forty years, Katz has produced a remarkable and impressive body of work that constitutes a unique aspect of modern realism.
Born on July 24, 1927 in Brooklyn, New York, Alex Katz continues to work and live in New York City. Ceaselessly painting large-scale and small works alike, he has a painterly style that is unmistakably his own, rendering flowers, landscapes, and portraits in a technique that falls between abstraction and realism.
Throughout art history, there have been a number of notable artists to fall through the cracks of categorization presumably because they were not part of a distinctive art movement but rather an independent creator with a unique vision. For an artist who has been prolifically creative and academically respected during Abstract Expressionism’s grip on the art world and later through the reign of Pop Art, Katz has remained true to his own school of thought.
Since 1954, Alex Katz’s work has been the subject of nearly 200 solo exhibitions internationally. His work is found in numerous public collections nationally and worldwide including in the Museum of Modern Art, New York – Fine Arts Museum of San Francisco – Art Institute of Chicago – The Tate Gallery, London – The Brooklyn Museum – The Metropolitan Museum of Art, New York – The National Gallery of Art, Washington, D.C – Philadelphia Museum of Art – The Whitney Museum of American Art, New York, – Albertine Graphische Sammelung (Austria) – the Bayerische Museum (Germany) – the Essl Collection (Austria) – the French National Collection – the Israel Museum – the Metropolitan Museum of Art (Japan) – the Museo Nacional Centro de Arte Reina Sofia (Spain) – the Nationalgalerie (Germany) – the Saatchi Collection (England) – and the Tate Gallery (England) among others.
Katz, Alex
Born on July 24, 1927 in Brooklyn, New York, Alex Katz continues to work and live in New York City. Ceaselessly painting large-scale and small works alike, he has a painterly style that is unmistakably his own, rendering flowers, landscapes, and portraits in a technique that falls between abstraction and realism.
Throughout art history, there have been a number of notable artists to fall through the cracks of categorization presumably because they were not part of a distinctive art movement but rather an independent creator with a unique vision. For an artist who has been prolifically creative and academically respected during Abstract Expressionism’s grip on the art world and later through the reign of Pop Art, Katz has remained true to his own school of thought.
Since 1954, Alex Katz’s work has been the subject of nearly 200 solo exhibitions internationally. His work is found in numerous public collections nationally and worldwide including in the Museum of Modern Art, New York – Fine Arts Museum of San Francisco – Art Institute of Chicago – The Tate Gallery, London – The Brooklyn Museum – The Metropolitan Museum of Art, New York – The National Gallery of Art, Washington, D.C – Philadelphia Museum of Art – The Whitney Museum of American Art, New York, – Albertine Graphische Sammelung (Austria) – the Bayerische Museum (Germany) – the Essl Collection (Austria) – the French National Collection – the Israel Museum – the Metropolitan Museum of Art (Japan) – the Museo Nacional Centro de Arte Reina Sofia (Spain) – the Nationalgalerie (Germany) – the Saatchi Collection (England) – and the Tate Gallery (England) among others.