-
4:30 pm *
2017
Archival pigment inks on Entrada Bright paper
Signed in pencil, and numbered
21 x 42 in. (53 x 107 cm), unframed
Edition of 100
SOLD
-
Ada in Purple Hat *
2017
Digital pigment print
Signed by the artist in pencil, and numbered
46 x 21 in. (117 x 53 cm), unframed
Edition of 125
SOLD
-
Ada in Spain *
2018
Color archival pigment print
Signed by the artist in pencil, and numbered
40 x 33 in. (101.6 x 83.8 cm), unframed
Edition of 150
SOLD
-
Ada with Sunglasses *
1990
(from the Alex and Ada: 1960’s-1990’s portfolio)
Original screenprint in colors
Signed in pencil, and numbered
36 x 24 inches (91.5 x 61 cm), unframed
Edition of 150
SOLD
-
Ada x2 *
2020
Archival pigment inks on Innova 315 gsm paper
Signed in pencil, and numbered
32 x 48 in. (81 x 122 cm), unframed
Edition of 150
SOLD
-
Ariel Black
2016
2-color silkscreen
Signed by the artist in pencil, and numbered
36 x 76 in (91 x 193 cm), unframed
Edition of 40
INQUIRE
-
Big Smile (Vivien)
2021
Archival pigment print
Hand-signed and numbered
35 x 70 in. (89 x 178 cm.), unframed
Edition of 100
INQUIRE
-
Brisk Day I *
1990
Original aquatint in colors on Somerset wove paper
Signed by the artist in pencil, and numbered
35 ½ x 28 ½ inches (90.7 x 72.4 cm), unframed
Edition of 150
SOLD
-
Brisk Day II *
1990
Original woodcut in colors on wove paper
Signed by the artist in pencil, and numbered
36 x 29 in. (91.4 x 74 cm), unframed
Edition of 150 + 15AP
SOLD
-
Brisk Day II *
1990
Original screenprint in colors on Somerset paper
Signed and numbered in pencil
36 x 29 1/8 in. (91.4 x 74 cm.), unframed
Edition of 150
(Schröder 238)
SOLD
-
Caroline *
1977
Original lithograph in colors
Signed in pencil, and numbered
27 x 21 in. (68.6 x 53.3 cm), unframed
Edition of 60
SOLD
-
Chance *
2016
Three-dimensional sculpture, archival ink on aluminum mounted on polished aluminum base
Artist’s etched signature, date and edition number on base
21 ¾ x 37 x 4 in. (55.2 x 94 x 10.2 cm)
Edition of 50
SOLD
-
Coleman Pond III
2007
Original woodblock print in colors on Japon paper
Signed by the artist in pencil, and numbered
6 1/8 x 7 1/2 in. (15.6 x 18.8 cm), unframed
INQUIRE
-
Dancer I
2019
Original screenprint in colors on Saunders Waterford paper
Signed in pencil, and numbered
60 x 36 in. (153 x 92 cm), unframed
Edition of 60
INQUIRE
-
Dancer II
2019
Original screenprint in colors on Saunders Waterford paper
60 x 44 in. (153 x 111 cm), unframed
Edition of 60
INQUIRE
-
Dancer II
2020
Aluminum sculpture created with archival inks on an aluminum base
Etched signature on base, numbered
29 x 31 x 3 in. (74 x 53 x 8 cm)
Edition of 60
INQUIRE
-
Dancer III
2019
Original screenprint in colors
Signed in pencil, and numbered
60 x 36 in. (153 x 92 cm), unframed
From the edition of 60
INQUIRE
-
December (Ada) *
2020
Archival pigment inks on Crane Museo Max 365 paper
Signed in pencil, and numbered
11 1/2 x 9 1/2 in. (29 x 24 cm), unframed
Edition of 100
(Accompanied by the limited edition book published by Rizzoli
containing more than 300 images of the artist's work)
SOLD
-
Floral Suite *
2021
A portfolio with 7 individual archival pigment prints in colors
Each hand-signed in pencil, and numbered, each print differently sized
From the edition of 100 as issued
SOLD
-
Green Jacket *
1990
From the Alex and Ada, 1960's-1980's portfolio
Original screenprint in colors
Signed in pencil, and numbered
36 x 24 in. (91.4 x 61 cm), unframed
Edition of 150
SOLD
-
Grey Dress
1992
Screenprint in colors
Signed and numbered
36 x 28 in. (91.4 x 71.1 cm)
Edition of 150
INQUIRE
-
Grey Ribbon *
1990
From the Alex and Ada, 1960's-1980's portfolio
Original screenprint in colors
Signed in pencil, and numbered
27 1/2 x 36 in. (70 x 91.4 cm), unframed
Edition of 150
SOLD
-
Jessica
2002
Screenprint in 40 colors on cut aluminum (with bronze base)
Signed and numbered in permanent marker (verso)
17 x 13 ½ x ¼ in.( 43.2 x 34.3 x .5 cm)
Edition of 35 + 7 AP
INQUIRE
-
Large Head of Vincent *
1982
Sugar-lift aquatint on Arches Cover paper
Signed in pencil, and numbered
61 x 35 ½ in (155 x 90 cm), unframed
Edition of 50
A beautiful rendering of the artist’s son, Large Head of Vincent, was created as an original aquatint in 1982 by Alex Katz. The artwork is hand-signed and numbered in pencil, measuring 61 x 35 ½ in (155 x 90 cm), unframed, from the edition of 50.
SOLD
-
Laura *
2018
Archival pigment inks on Crane Museo Max Paper
Signed by the artist in pencil, and numbered
46 x 30 1/2 in. (117 x 77.5 cm), unframed
Edition of 100
SOLD
-
Olympic Swimmer *
1976
Original screenprint in colors
Signed in pencil, and numbered
39 3/4 x 24 3/4 in. (101 x 63 cm), unframed
Edition of 200
SOLD
-
Pamela (Blue) *
1976
Screenprint and lithograph in colors on Copperplate Deluxe paper
Signed in pencil, and numbered
28 1/2 x 21 1/2 in. (72.4 x 54.6 cm), unframed
Edition of 30
SOLD
-
Reflection 2
2021
Archival pigment print
Hand-signed and numbered
47 x 39 1/2 in. (119 x 100.3 cm.), unframed
Edition of 100
INQUIRE
-
Rose Bud *
2019
Archival pigment inks on Crane Museo paper
Hand-signed and numbered in pencil
44 x 33 in. (112 x 84 cm), unframed
Edition of 100
SOLD
-
Sarah *
2012
Original screenprint in colors on Museum Board
Signed in pencil, and numbered
39 x 41 in. (99 x 104 cm), unframed
Edition of 60
SOLD
-
Self Portrait (Passing) *
1990
From the Alex and Ada, 1960's-1980's portfolio
Original screenprint in colors
Signed in pencil, and numbered
32 1/2 x 36 in. (82.6 x 91.5 cm), unframed
Edition of 150
SOLD
-
Sweatshirt II *
1990
From the Alex and Ada, 1960's-1980's portfolio
Original screenprint in colors
Signed in pencil, and numbered
36 x 28 1/2 in. (91.4 x 72.4 cm), unframed
Edition of 150
SOLD
-
Vivien with Hat *
2021
Archival pigment print
Signed in pencil, and numbered
36 x 48 in. (91 x 122 cm), unframed
Edition of 150
SOLD
-
Vivien with Straw Hat *
2021
Original screenprint in colors
Hand-signed in pencil, and numbered
80 x 44 in. (203.2 x 111.8 cm), unframed
Edition of 60
SOLD
-
White Hat *
1990
From the Alex and Ada, 1960's-1980's portfolio
Original screenprint in colors
Signed in pencil, and numbered
36 x 25 1/2 in (91.4 x 65 cm), unframed
Edition of 150
SOLD
-
White Shirt
2021
A suite of 6 individual archival pigment prints
Hand-signed and numbered in pencil
26 x 15 in. (66 x 38 cm.) each, unframed
Edition of 50 + 10AP
INQUIRE
-
Yellow Flags *
2018
Archival pigment inks on Crane Museo paper
Hand-signed in pencil, and numbered
17 x 45 in. (43.2 x 114.3 cm), unframed
Edition of 125
SOLD
-
Yellow Flags III *
2020
Archival Pigment Print
Signed in pencil, and numbered
33 x 22 in. (83.8 x 56 cm), unframed
Edition of 150
SOLD
-
Night: William Dunas Dance 4/Pamela *
1979
Thirteen-color lithograph on Arches paper
Signed by the artist in pencil and numbered
28 x 30 inches (71.1 x 76.2 cm)
Edition of 125
(Maravell 149)
SOLD
-
Nicole *
2016
Archival pigment inks on Crane Museo Max 365 fine art paper
Signed by the artist in pencil, and numbered
46 x 23 in (116 x 58 cm), unframed
SOLD
-
The Swimmer *
1974
Aquatint on paper
Signed by the artist in pencil, and numbered
28 x 36 in. (71 x 91.4 cm)
Edition of 84
SOLD
-
Black Hat (Ada) *
2012
Original woodcut
Signed by the artist in pencil, and numbered
21 x 20 in. (53.3 x 50.8 cm)
Edition of 25
SOLD
-
Pamela *
1976
Original lithograph with screenprint in colors
Hand-signed by the artist in pencil and numbered
28 ½ x 22 inches (72.4 x 55.9 cm)
Edition of 30
SOLD
-
The Black Dress *
2015
A portfolio of nine individual screenprints in color
Hand-signed by the artist and numbered
80 x 30 in. (203 x 76 cm), each
Edition of 35
(offered as a complete set, not individually)
SOLD
-
Sunny *
2004
Color silkscreen laid down on cut aluminum
Signed by the artist, and numbered
5 x 6 x 2 in. (12.7 x 15.2 x 5 cm.)
Edition of 70
SOLD
-
Pas de Deux V
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
INQUIRE
-
Pas de Deux IV
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
INQUIRE
-
Pas de Deux III
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
INQUIRE
-
Pas De Deux I
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
INQUIRE
-
Pas de Deux II
1995
Screenprint in colors
Hand-signed by the artist and numbered
36 x 20 inches (91.5 x 51 cm)
Edition of 150
INQUIRE
-
Northern Landscapes *
A suite of three original prints comprised of Bright Light, Fog, and Night
1994
Woodcut on Japon paper
Each signed in pencil and numbered
20 x 16 inches (each)
Edition of 100
SOLD
-
Ada with Flowers *
1980
Screenprint in colors on Grammercy paper
Signed by the artist in pencil, and numbered
48 1/8 x 36 1/8 in. (122.2 x 91.8 cm)
Edition of 65
(Maravell 123)
SOLD
-
Day Lilies *
1993
Original screenprint in colors
Signed by the artist in pencil, and numbered
14 x 39 ¾ in (35.6 x 101cm)
Edition of 108
(Published by Lincoln Center for the Performing Arts, NYC)
SOLD
-
Ada in Hat *
1990
From the Alex and Ada, 1960’s-1980’s portfolio
Screenprint in colors
Signed by the artist in pencil and numbered
24 1/4 x 36 in. (61.6 x 91.4 cm.), unframed
Edition of 150
SOLD
-
Anastasia *
1984
Original lithograph in colors
Hand-signed by the artist in pencil and numbered
29 1/2 x 25 inches (75 x 63.5 cm)
Edition of 100
SOLD
-
Black Scarf *
1996
Screenprint in colors
Signed and numbered
46 1/2 x 31 inches (118.1 x 78.4 cm)
Edition of 75
SOLD
-
Ariel (Red) *
2016
26-color silkscreen
Hand-signed by the artist and numbered
36 x 76 in. (91 x 193 cm), unframed
Edition of 56
SOLD
-
Late Summer Flowers *
2013
38 color screenprint on museum board
Signed by the artist in pencil and numbered
40 x 55 inches (102 x 140 cm)
Edition 50
SOLD
-
Superb Lilies *
1972
Original lithograph in colors on Arches paper
Signed by the artist in pencil and numbered
19 x 20 ¼ inches (48.3 x 51.4 cm)
Edition of 90
(Maravell 62)
SOLD
-
Reflection II *
2011
3-color etching on Somerset white paper
Hand-signed in pencil by the artist and numbered
41 x 31 inches (104 x 78.4 cm)
Edition of 30
SOLD
-
Day Lily II *
1969
Lithograph in colors on Arches paper
Signed by the artist in pencil, numbered
Edition of 90
21 3/4 x 27 3/4 inches ( 55.4 x 70.6 cm)
SOLD
-
Camp *
1990
Woodcut
Signed and numbered
60 x 40 in
Edition of 60
SOLD
-
Eleuthera *
1999
Screenprint in colors on Wove paper
Signed by the artist in pencil, and numbered
26 3/4 x 48 inches (68 x 122 cm)
Edition of 75
SOLD
-
Forest *
2008
Woodcut and linocut
Signed and numbered
28 3/4 x 67 3/4 in
Edition of 45
SOLD
-
Grey Umbrella *
1979-80
Lithograph on Arches paper
Signed and numbered in pencil
20 x 30 1/4 inches (51 x 77 cm)
SOLD
-
Homage to Frank O’Hara *
1972
Original lithograph in colors
Signed by the artist and numbered
33 1/4 x 25 1/2 inches (84.5 x 64.8 cm)
Edition of 90
SOLD
-
Impatiens *
2001
Linocut
Signed and numbered
56 x 36 1/4 in
Edition of 35
SOLD
-
Maria I *
1993
Etching and aquatint in colors on Wove paper
Signed by the artist in pencil and numbered
17 x 21 3/4 inches (43.2 x 55.3 cm)
Edition of 75
SOLD
-
Maria II *
1993
Etching and aquatint in colors on Wove paper
Signed by the artist in pencil and numbered
17 x 21 3/4 inches (43.2 x 55.3 cm)
Edition of 75
SOLD
-
Orange Hat *
1990
From the Alex and Ada, 1960’s-1980’s portfolio
Original screenprint in 24 colors
Signed in pencil, and numbered
18 x 36 in. (46 x 91 cm.), unframed
Edition of 150
SOLD
-
Reflection *
2010
Screenprint in colors
Signed and numbered
58 x 58 in
Edition of 50
SOLD
-
The Sailor Hat *
2003
Linocut
Signed and numbered
19 1/2 x 17 1/4 in
Edition of 60
SOLD
-
William Dunas Dance Suite: I-IV *
1979
Suite of four lithographs in colors
Signed and numbered
28 x 30 in (each)
Edition of 100
SOLD
Alex Katz is one of the most important American artists to have emerged since 1950. Throughout his career, which now spans more than forty years, Katz has produced a remarkable and impressive body of work that constitutes a unique aspect of modern realism.
Born on July 24, 1927 in Brooklyn, New York, Alex Katz continues to work and live in New York City. Ceaselessly painting large-scale and small works alike, he has a painterly style that is unmistakably his own, rendering flowers, landscapes, and portraits in a technique that falls between abstraction and realism.
Throughout art history, there have been a number of notable artists to fall through the cracks of categorization presumably because they were not part of a distinctive art movement but rather an independent creator with a unique vision. For an artist who has been prolifically creative and academically respected during Abstract Expressionism’s grip on the art world and later through the reign of Pop Art, Katz has remained true to his own school of thought.
Since 1954, Alex Katz’s work has been the subject of nearly 200 solo exhibitions internationally. His work is found in numerous public collections nationally and worldwide including in the Museum of Modern Art, New York – Fine Arts Museum of San Francisco – Art Institute of Chicago – The Tate Gallery, London – The Brooklyn Museum – The Metropolitan Museum of Art, New York – The National Gallery of Art, Washington, D.C – Philadelphia Museum of Art – The Whitney Museum of American Art, New York, – Albertine Graphische Sammelung (Austria) – the Bayerische Museum (Germany) – the Essl Collection (Austria) – the French National Collection – the Israel Museum – the Metropolitan Museum of Art (Japan) – the Museo Nacional Centro de Arte Reina Sofia (Spain) – the Nationalgalerie (Germany) – the Saatchi Collection (England) – and the Tate Gallery (England) among others.
Katz, Alex
2017 Archival pigment inks on Entrada Bright paper Signed in pencil, and numbered 21 x 42 in. (53 x 107 cm), unframed Edition of 100 SOLD2017 Digital pigment print Signed by the artist in pencil, and numbered 46 x 21 in. (117 x 53 cm), unframed Edition of 125 SOLD2018 Color archival pigment print Signed by the artist in pencil, and numbered 40 x 33 in. (101.6 x 83.8 cm), unframed Edition of 150 SOLD1990 (from the Alex and Ada: 1960’s-1990’s portfolio) Original screenprint in colors Signed in pencil, and numbered 36 x 24 inches (91.5 x 61 cm), unframed Edition of 150 SOLD2020 Archival pigment inks on Innova 315 gsm paper Signed in pencil, and numbered 32 x 48 in. (81 x 122 cm), unframed Edition of 150 SOLD1990 Original aquatint in colors on Somerset wove paper Signed by the artist in pencil, and numbered 35 ½ x 28 ½ inches (90.7 x 72.4 cm), unframed Edition of 150 SOLD1990 Original woodcut in colors on wove paper Signed by the artist in pencil, and numbered 36 x 29 in. (91.4 x 74 cm), unframed Edition of 150 + 15AP SOLD1990 Original screenprint in colors on Somerset paper Signed and numbered in pencil 36 x 29 1/8 in. (91.4 x 74 cm.), unframed Edition of 150 (Schröder 238) SOLD1977 Original lithograph in colors Signed in pencil, and numbered 27 x 21 in. (68.6 x 53.3 cm), unframed Edition of 60 SOLD2016 Three-dimensional sculpture, archival ink on aluminum mounted on polished aluminum base Artist’s etched signature, date and edition number on base 21 ¾ x 37 x 4 in. (55.2 x 94 x 10.2 cm) Edition of 50 SOLD2020 Archival pigment inks on Crane Museo Max 365 paper Signed in pencil, and numbered 11 1/2 x 9 1/2 in. (29 x 24 cm), unframed Edition of 100 (Accompanied by the limited edition book published by Rizzoli containing more than 300 images of the artist's work) SOLD2021 A portfolio with 7 individual archival pigment prints in colors Each hand-signed in pencil, and numbered, each print differently sized From the edition of 100 as issued SOLD1990 From the Alex and Ada, 1960's-1980's portfolio Original screenprint in colors Signed in pencil, and numbered 36 x 24 in. (91.4 x 61 cm), unframed Edition of 150 SOLD1990 From the Alex and Ada, 1960's-1980's portfolio Original screenprint in colors Signed in pencil, and numbered 27 1/2 x 36 in. (70 x 91.4 cm), unframed Edition of 150 SOLD1982 Sugar-lift aquatint on Arches Cover paper Signed in pencil, and numbered 61 x 35 ½ in (155 x 90 cm), unframed Edition of 50 A beautiful rendering of the artist’s son, Large Head of Vincent, was created as an original aquatint in 1982 by Alex Katz. The artwork is hand-signed and numbered in pencil, measuring 61 x 35 ½ in (155 x 90 cm), unframed, from the edition of 50. SOLD2018 Archival pigment inks on Crane Museo Max Paper Signed by the artist in pencil, and numbered 46 x 30 1/2 in. (117 x 77.5 cm), unframed Edition of 100 SOLD1976 Original screenprint in colors Signed in pencil, and numbered 39 3/4 x 24 3/4 in. (101 x 63 cm), unframed Edition of 200 SOLD1976 Screenprint and lithograph in colors on Copperplate Deluxe paper Signed in pencil, and numbered 28 1/2 x 21 1/2 in. (72.4 x 54.6 cm), unframed Edition of 30 SOLD2019 Archival pigment inks on Crane Museo paper Hand-signed and numbered in pencil 44 x 33 in. (112 x 84 cm), unframed Edition of 100 SOLD2012 Original screenprint in colors on Museum Board Signed in pencil, and numbered 39 x 41 in. (99 x 104 cm), unframed Edition of 60 SOLD1990 From the Alex and Ada, 1960's-1980's portfolio Original screenprint in colors Signed in pencil, and numbered 32 1/2 x 36 in. (82.6 x 91.5 cm), unframed Edition of 150 SOLD1990 From the Alex and Ada, 1960's-1980's portfolio Original screenprint in colors Signed in pencil, and numbered 36 x 28 1/2 in. (91.4 x 72.4 cm), unframed Edition of 150 SOLD2021 Archival pigment print Signed in pencil, and numbered 36 x 48 in. (91 x 122 cm), unframed Edition of 150 SOLD2021 Original screenprint in colors Hand-signed in pencil, and numbered 80 x 44 in. (203.2 x 111.8 cm), unframed Edition of 60 SOLD1990 From the Alex and Ada, 1960's-1980's portfolio Original screenprint in colors Signed in pencil, and numbered 36 x 25 1/2 in (91.4 x 65 cm), unframed Edition of 150 SOLD2018 Archival pigment inks on Crane Museo paper Hand-signed in pencil, and numbered 17 x 45 in. (43.2 x 114.3 cm), unframed Edition of 125 SOLD2020 Archival Pigment Print Signed in pencil, and numbered 33 x 22 in. (83.8 x 56 cm), unframed Edition of 150 SOLD1979 Thirteen-color lithograph on Arches paper Signed by the artist in pencil and numbered 28 x 30 inches (71.1 x 76.2 cm) Edition of 125 (Maravell 149) SOLD2016 Archival pigment inks on Crane Museo Max 365 fine art paper Signed by the artist in pencil, and numbered 46 x 23 in (116 x 58 cm), unframed SOLD1974 Aquatint on paper Signed by the artist in pencil, and numbered 28 x 36 in. (71 x 91.4 cm) Edition of 84 SOLD2012 Original woodcut Signed by the artist in pencil, and numbered 21 x 20 in. (53.3 x 50.8 cm) Edition of 25 SOLD1976 Original lithograph with screenprint in colors Hand-signed by the artist in pencil and numbered 28 ½ x 22 inches (72.4 x 55.9 cm) Edition of 30 SOLD2015 A portfolio of nine individual screenprints in color Hand-signed by the artist and numbered 80 x 30 in. (203 x 76 cm), each Edition of 35 (offered as a complete set, not individually) SOLD2004 Color silkscreen laid down on cut aluminum Signed by the artist, and numbered 5 x 6 x 2 in. (12.7 x 15.2 x 5 cm.) Edition of 70 SOLDA suite of three original prints comprised of Bright Light, Fog, and Night 1994 Woodcut on Japon paper Each signed in pencil and numbered 20 x 16 inches (each) Edition of 100 SOLD1980 Screenprint in colors on Grammercy paper Signed by the artist in pencil, and numbered 48 1/8 x 36 1/8 in. (122.2 x 91.8 cm) Edition of 65 (Maravell 123) SOLD1993 Original screenprint in colors Signed by the artist in pencil, and numbered 14 x 39 ¾ in (35.6 x 101cm) Edition of 108 (Published by Lincoln Center for the Performing Arts, NYC) SOLD1990 From the Alex and Ada, 1960’s-1980’s portfolio Screenprint in colors Signed by the artist in pencil and numbered 24 1/4 x 36 in. (61.6 x 91.4 cm.), unframed Edition of 150 SOLD1984 Original lithograph in colors Hand-signed by the artist in pencil and numbered 29 1/2 x 25 inches (75 x 63.5 cm) Edition of 100 SOLD1996 Screenprint in colors Signed and numbered 46 1/2 x 31 inches (118.1 x 78.4 cm) Edition of 75 SOLD2016 26-color silkscreen Hand-signed by the artist and numbered 36 x 76 in. (91 x 193 cm), unframed Edition of 56 SOLD2013 38 color screenprint on museum board Signed by the artist in pencil and numbered 40 x 55 inches (102 x 140 cm) Edition 50 SOLD1972 Original lithograph in colors on Arches paper Signed by the artist in pencil and numbered 19 x 20 ¼ inches (48.3 x 51.4 cm) Edition of 90 (Maravell 62) SOLD2011 3-color etching on Somerset white paper Hand-signed in pencil by the artist and numbered 41 x 31 inches (104 x 78.4 cm) Edition of 30 SOLD1969 Lithograph in colors on Arches paper Signed by the artist in pencil, numbered Edition of 90 21 3/4 x 27 3/4 inches ( 55.4 x 70.6 cm) SOLD1990 Woodcut Signed and numbered 60 x 40 in Edition of 60 SOLD1999 Screenprint in colors on Wove paper Signed by the artist in pencil, and numbered 26 3/4 x 48 inches (68 x 122 cm) Edition of 75 SOLD2008 Woodcut and linocut Signed and numbered 28 3/4 x 67 3/4 in Edition of 45 SOLD1979-80 Lithograph on Arches paper Signed and numbered in pencil 20 x 30 1/4 inches (51 x 77 cm) SOLD1972 Original lithograph in colors Signed by the artist and numbered 33 1/4 x 25 1/2 inches (84.5 x 64.8 cm) Edition of 90 SOLD2001 Linocut Signed and numbered 56 x 36 1/4 in Edition of 35 SOLD1993 Etching and aquatint in colors on Wove paper Signed by the artist in pencil and numbered 17 x 21 3/4 inches (43.2 x 55.3 cm) Edition of 75 SOLD1993 Etching and aquatint in colors on Wove paper Signed by the artist in pencil and numbered 17 x 21 3/4 inches (43.2 x 55.3 cm) Edition of 75 SOLD1990 From the Alex and Ada, 1960’s-1980’s portfolio Original screenprint in 24 colors Signed in pencil, and numbered 18 x 36 in. (46 x 91 cm.), unframed Edition of 150 SOLD2010 Screenprint in colors Signed and numbered 58 x 58 in Edition of 50 SOLD2003 Linocut Signed and numbered 19 1/2 x 17 1/4 in Edition of 60 SOLD1979 Suite of four lithographs in colors Signed and numbered 28 x 30 in (each) Edition of 100 SOLDBorn on July 24, 1927 in Brooklyn, New York, Alex Katz continues to work and live in New York City. Ceaselessly painting large-scale and small works alike, he has a painterly style that is unmistakably his own, rendering flowers, landscapes, and portraits in a technique that falls between abstraction and realism.
Throughout art history, there have been a number of notable artists to fall through the cracks of categorization presumably because they were not part of a distinctive art movement but rather an independent creator with a unique vision. For an artist who has been prolifically creative and academically respected during Abstract Expressionism’s grip on the art world and later through the reign of Pop Art, Katz has remained true to his own school of thought.
Since 1954, Alex Katz’s work has been the subject of nearly 200 solo exhibitions internationally. His work is found in numerous public collections nationally and worldwide including in the Museum of Modern Art, New York – Fine Arts Museum of San Francisco – Art Institute of Chicago – The Tate Gallery, London – The Brooklyn Museum – The Metropolitan Museum of Art, New York – The National Gallery of Art, Washington, D.C – Philadelphia Museum of Art – The Whitney Museum of American Art, New York, – Albertine Graphische Sammelung (Austria) – the Bayerische Museum (Germany) – the Essl Collection (Austria) – the French National Collection – the Israel Museum – the Metropolitan Museum of Art (Japan) – the Museo Nacional Centro de Arte Reina Sofia (Spain) – the Nationalgalerie (Germany) – the Saatchi Collection (England) – and the Tate Gallery (England) among others.