-
Bent Blue *
1971
Original lithograph on BFK rives paper
Signed by the artist in pencil, and numbered
26 x 20 in. (66 x 51 cm), unframed
Edition of 240
(F. 143)
SOLD
-
Between the Clock and the Bed *
1989
Original lithograph in colors on Japan paper
Signed by the artist in pencil, dated and numbered
26 ¼ x 40 inches (67 x 102 cm)
Edition of 50
SOLD
-
Periscope I *
1979
Lithograph in colors on Kurotani paper
Signed by the artist in pencil, and numbered
50 x 36 inches (127 x 91.4 cm)
Edition of 65
SOLD
-
Savarin 6 (Blue) *
1979
Original lithograph in three colors
Signed, dated and numbered in pencil
26 x 20 ½ in. (66 x 52 cm.), unframed
Edition of 42
SOLD
-
Screen Piece *
1972
Screenprint in colors on Rives BFK paper
Signed by the artist in pencil, dated and numbered
41 ¼ x 29 ¼ inches (104.8 x 74.3 cm)
Edition of 67 + 15 AP
SOLD
-
Untitled
2012
Aquatint in colors
Signed by the artist, and numbered
21 x 16 inches (53.3 x 40.6 cm)
Edition of 30
INQUIRE
-
Untitled (Red, Yellow, Blue)
1981
Etching and Aquatint on Rives BFK paper
Signed, dated, and numbered in pencil
16 ¼ x 13 in. (41.3 x 33 cm.), unframed
Edition of 78
INQUIRE
-
Untitled (Red, Yellow, Blue) *
1991
One-color etching on paper
Signed, dated and numbered in pencil
41 5/8 x 77 ½ in. (105.7 x 197 cm.), unframed
Edition of 38
SOLD
-
Untitled *
1977
Original screenprint in colors on Patapar printing parchment
9 7/8 x 10 1/4 in. (25 x 26 cm), unframed
Edition of 3000
(ULAE S.13)
SOLD
-
Untitled *
1992
Etching and aquatint on paper
Signed in pencil, and numbered
43 ½ x 52 9/16 in (110.5 x 133.5 cm), unframed
Edition of 50
SOLD
-
Usuyuki
1979
Original lithograph on Arches paper
Signed by the artist in pencil, and numbered
34 1/4 x 50 1/4 in. (87 x 127.6 cm), unframed
Edition of 49
INQUIRE
-
Usuyuki *
1980
Original screenprint on Kurotani Kozo paper
Signed, dated and numbered in pencil
52 x 20 in. (132 x 51 cm), unframed
Edition of 90
Printed by Kenjiro Nonaka, Hiroshi Kawanishi with publisher’s blind stamp
(ULAE 210)
SOLD
-
Usuyuki *
1981
Original color screenprint on Kurotoni Kozo paper
Signed in pencil, dated and numbered
29 x 46 5/8 in. (73.6 x 118.4 cm), unframed
Edition of 85
SOLD
-
Voice 2 *
1983
Original lithograph in 5 colors on Rives BFK paper
Signed by the artist in pencil, and numbered
19 3/4 x 26 in. (50.2 x 66 cm)
Edition of 41
SOLD
-
Savarin *
1981
Lithograph in black, red and gray on Rives BFK paper
Signed by the artist in pencil, dated and numbered
50 ⅜ x 38 inches (128 x 96.5 cm)
Edition of 60
SOLD
-
Green Angel *
1991
Intaglio in six colors on Barcham paper
Signed by the artist in pencil, dated and numbered
31 x 22 ½ inches (78.8 x 57.2 cm)
Edition of 46
(Published by ULAE, #253)
SOLD
-
Target *
(From Technics and Creativity)
1971
Offset lithograph printed in colors with brush and three watercolor pads on Hahnemühle Copperplate paper in white plastic book case with signed on recto
10 ½ x 8 ½ x 1.25 in. (26.5 x 21.5 x 3.17 cm.)
Edition of 22,500
(Created for the Museum of Modern Art's Technics and Creativity, a catalogue raisonne of works produced by Gemini GEL. The print and the catalogue come in a hard white plastic clamshell.)
(Field 135, Gemini 276)
SOLD
-
The Dutch Wives *
1977
Screenprint from twenty-nine screens on Kurotani Kozo paper
Signed by the artist in pencil, dated and numbered
43 x 56 inches (109.2 x 142.2 cm)
Edition of 70
(ULAE 187)
SOLD
-
Summer *
(Frontispiece from Wallace Stevens, Poems)
1985
Aquatint and etching on T. Edmunds laid paper
Signed by the artist in pencil
11 ¾ x 8 ½ inches (30 x 21.6 cm)
Edition of 300
(Inclusive of cloth-covered book, numbered in pencil)
SOLD
-
Untitled *
(From American Center)
1994
Lithograph on paper in colors on custom-made Japanese paper
Signed by the artist in pencil, dated and numbered
36 x 30 ¼ inches (91.4 x 76.8 cm)
Edition of 75
SOLD
-
Number 1 *
(From Six Lithographs)
1976
Lithograph in colors on Rives BFK paper
Signed by the artist in pencil, dated and numbered
30 ⅛ x 29 ⅝ inches (76.5 x 75.2 cm)
Edition of 60
SOLD
-
Ruler *
1966
Lithograph on handmade paper
Signed by the artist, and numbered
28 x 20 inches (71.1 x 50.8 cm)
Edition of 25
SOLD
-
Corpse and Mirror *
1976
Lithograph in colors
Signed by the artist, and numbered
30 ¾ x 39 ¾ inches (78.1 x 101 cm)
Edition of 58
SOLD
-
Zone (Black State) *
1972
Lithograph on Arjomari paper
Signed by the artist in pencil, dated and numbered
Edition of 16
44 x 29 inches (111.8 x 73.7 cm)
SOLD
-
Leo *
(from the Leo Castelli, 90th Birthday portfolio)
1997
Etching on paper
Signed by the artist in pencil, numbered
37 x 27 in (94 x 68.5 cm)
SOLD
-
Summer (blue) *
1985-91
Original lithograph in colors
Signed in pencil by the artist, and numbered
16 ¼ x 11 ¼ inches (unframed)
Edition of 225
SOLD
-
After Holbein *
1994
Lithograph in 7 colors on handmade Japan paper
Signed and numbered
32 1/4 x 25 inches (81.9 x 63.5 cm)
Edition of 42
SOLD
Jasper Johns was born in 1930 in Augusta, Georgia, and raised in South Carolina. He began drawing as a young child, and from the age of five knew he wanted to be an artist. For three semesters he attended the University of South Carolina at Columbia, where his art teachers urged him to move to New York, which he did in late 1948. After serving two years in the army during the Korean War, stationed in South Carolina and Sendai, Japan, he returned to New York in 1953. He soon became friends with the artist Robert Rauschenberg, also a Southerner, and with the composer John Cage and the choreographer Merce Cunningham.
Together with Rauschenberg and several Abstract Expressionist painters of the previous generation, Jackson Pollock, Willem de Kooning, and Barnett Newman, Johns is one of most significant and influential American painters of the twentieth century. He also ranks with Dürer, Rembrandt, Goya, Munch, and Picasso as one of the greatest printmakers of any era. In addition, he makes many drawings—unique works on paper, usually based on a painting he has previously painted—and he has created an unusual body of sculptural objects. Johns’ early mature work, of the mid- to late 1950s, invented a new style that helped to engender a number of subsequent art movements, among them Pop, Minimal, and Conceptual art. His work is collected by nearly every major museum in the world.
Johns, Jasper
1971 Original lithograph on BFK rives paper Signed by the artist in pencil, and numbered 26 x 20 in. (66 x 51 cm), unframed Edition of 240 (F. 143) SOLD
1989 Original lithograph in colors on Japan paper Signed by the artist in pencil, dated and numbered 26 ¼ x 40 inches (67 x 102 cm) Edition of 50 SOLD
1979 Lithograph in colors on Kurotani paper Signed by the artist in pencil, and numbered 50 x 36 inches (127 x 91.4 cm) Edition of 65 SOLD
1979 Original lithograph in three colors Signed, dated and numbered in pencil 26 x 20 ½ in. (66 x 52 cm.), unframed Edition of 42 SOLD
1972 Screenprint in colors on Rives BFK paper Signed by the artist in pencil, dated and numbered 41 ¼ x 29 ¼ inches (104.8 x 74.3 cm) Edition of 67 + 15 AP SOLD
1991 One-color etching on paper Signed, dated and numbered in pencil 41 5/8 x 77 ½ in. (105.7 x 197 cm.), unframed Edition of 38 SOLD
1977 Original screenprint in colors on Patapar printing parchment 9 7/8 x 10 1/4 in. (25 x 26 cm), unframed Edition of 3000 (ULAE S.13) SOLD
1992 Etching and aquatint on paper Signed in pencil, and numbered 43 ½ x 52 9/16 in (110.5 x 133.5 cm), unframed Edition of 50 SOLD
1980 Original screenprint on Kurotani Kozo paper Signed, dated and numbered in pencil 52 x 20 in. (132 x 51 cm), unframed Edition of 90 Printed by Kenjiro Nonaka, Hiroshi Kawanishi with publisher’s blind stamp (ULAE 210) SOLD
1981 Original color screenprint on Kurotoni Kozo paper Signed in pencil, dated and numbered 29 x 46 5/8 in. (73.6 x 118.4 cm), unframed Edition of 85 SOLD
1983 Original lithograph in 5 colors on Rives BFK paper Signed by the artist in pencil, and numbered 19 3/4 x 26 in. (50.2 x 66 cm) Edition of 41 SOLD
1981 Lithograph in black, red and gray on Rives BFK paper Signed by the artist in pencil, dated and numbered 50 ⅜ x 38 inches (128 x 96.5 cm) Edition of 60 SOLD
1991 Intaglio in six colors on Barcham paper Signed by the artist in pencil, dated and numbered 31 x 22 ½ inches (78.8 x 57.2 cm) Edition of 46 (Published by ULAE, #253) SOLD
(From Technics and Creativity) 1971 Offset lithograph printed in colors with brush and three watercolor pads on Hahnemühle Copperplate paper in white plastic book case with signed on recto 10 ½ x 8 ½ x 1.25 in. (26.5 x 21.5 x 3.17 cm.) Edition of 22,500 (Created for the Museum of Modern Art's Technics and Creativity, a catalogue raisonne of works produced by Gemini GEL. The print and the catalogue come in a hard white plastic clamshell.) (Field 135, Gemini 276) SOLD
1977 Screenprint from twenty-nine screens on Kurotani Kozo paper Signed by the artist in pencil, dated and numbered 43 x 56 inches (109.2 x 142.2 cm) Edition of 70 (ULAE 187) SOLD
(Frontispiece from Wallace Stevens, Poems) 1985 Aquatint and etching on T. Edmunds laid paper Signed by the artist in pencil 11 ¾ x 8 ½ inches (30 x 21.6 cm) Edition of 300 (Inclusive of cloth-covered book, numbered in pencil) SOLD
(From American Center) 1994 Lithograph on paper in colors on custom-made Japanese paper Signed by the artist in pencil, dated and numbered 36 x 30 ¼ inches (91.4 x 76.8 cm) Edition of 75 SOLD
(From Six Lithographs) 1976 Lithograph in colors on Rives BFK paper Signed by the artist in pencil, dated and numbered 30 ⅛ x 29 ⅝ inches (76.5 x 75.2 cm) Edition of 60 SOLD
1966 Lithograph on handmade paper Signed by the artist, and numbered 28 x 20 inches (71.1 x 50.8 cm) Edition of 25 SOLD
1976 Lithograph in colors Signed by the artist, and numbered 30 ¾ x 39 ¾ inches (78.1 x 101 cm) Edition of 58 SOLD
1972 Lithograph on Arjomari paper Signed by the artist in pencil, dated and numbered Edition of 16 44 x 29 inches (111.8 x 73.7 cm) SOLD
(from the Leo Castelli, 90th Birthday portfolio) 1997 Etching on paper Signed by the artist in pencil, numbered 37 x 27 in (94 x 68.5 cm) SOLD
1985-91 Original lithograph in colors Signed in pencil by the artist, and numbered 16 ¼ x 11 ¼ inches (unframed) Edition of 225 SOLD
1994 Lithograph in 7 colors on handmade Japan paper Signed and numbered 32 1/4 x 25 inches (81.9 x 63.5 cm) Edition of 42 SOLD
Together with Rauschenberg and several Abstract Expressionist painters of the previous generation, Jackson Pollock, Willem de Kooning, and Barnett Newman, Johns is one of most significant and influential American painters of the twentieth century. He also ranks with Dürer, Rembrandt, Goya, Munch, and Picasso as one of the greatest printmakers of any era. In addition, he makes many drawings—unique works on paper, usually based on a painting he has previously painted—and he has created an unusual body of sculptural objects. Johns’ early mature work, of the mid- to late 1950s, invented a new style that helped to engender a number of subsequent art movements, among them Pop, Minimal, and Conceptual art. His work is collected by nearly every major museum in the world.