1980
Soft-ground etching with hand-coloring in watercolor and gouache on Stoneridge mould-made etching paper
Signed with initials, dated and numbered in red pencil
32 x 40 1/2 in. (81.3 x 103 cm)
Edition of 85
INQUIRE
As You'd Been Wont - Wantonly Wantonly Eros Past
1991
(from The Way We Live Now)
Lift-ground aquatint with hand-coloring on Ingres-Fabriao paper
Monogrammed by the artist in pencil and numbered
11 11/16 x 16 15/16 in. (29.7 x 43 cm)
Edition of 50
(Heenk 217)
INQUIRE
Bleeding *
1981-82
Original lithograph with hand-coloring on Arches paper
Signed in pencil, dated and numbered
36 x 60 in. (91.5 x 152.5 cm), unframed
Edition of 100
(H. 67)
SOLD
Blue Listening Ear *
1986
Color etching and aquatint with carborundum and hand-coloring
Monogrammed by the artist in pencil, dated and numbered
18 1/2 x 25 1/4 in. (47 x 64 cm), unframed
Edition of 100
(H. 73)
SOLD
David's Pool at Night
1979/85
Soft-ground etching and aquatint with hand coloring
Monogrammed, dated and numbered in pencil
25 1/8 x 31 in. (64 x 79 cm), unframed
Edition of 100
INQUIRE
Red Flowers *
2015
Original screenprint in colors on Somerset mould-made paper with deckled edges
Monogrammed in pencil, dated and numbered
16 7/8 x 18 1/2 in. (43 x 47 cm), unframed
Edition of 75
SOLD
Red Listening Ear *
1986
Original lift-ground etching with aquatint and carborundum with hand-coloring
Monogrammed by the artist in pencil, dated and numbered
24 x 30 (61 x 76 cm), unframed
Edition of 100
(H. 74)
SOLD
The Sky's the Limit *
2003
Original screenprint in colors on wove paper
Monogrammed by the artist in pencil, dated and numbered
32 3/8 x 36 1/4 in. (82.2 x 91.7 cm)
Edition of 108
(Published by Lincoln Center for the Performing Arts, NYC)
SOLD
Venice, Afternoon
1995
Hand-painted etching and aquatint with carborundum on 16 sheets of Velin Arches paper
Monogrammed, dated and numbered in pencil
63 x 77 1/2 in. (160 x 196.5 cm), unframed
Edition of 60
INQUIRE
Artist and Model *
1980
Etching with hand-coloring
Signed and numbered
32 ½ x 41
Edition of 100
SOLD
DH in Hollywood *
1979-85
Etching with hand-coloring
Signed and numbered
8 ¼ x 11 in
Edition of 100
SOLD
Late Afternoon in the Museum of Modern Art *
1979
Etching with hand-coloring
Signed and numbered
29 ½ x 39 in
Edition of 100
SOLD
Moonlight (diptych) *
1980
Lithograph with hand-coloring in two panels
Signed and numbered
44 x 55 ¼ in (combined size)
Edition of 100
SOLD
Two to Go *
1982
Lithograph with hand-coloring
Signed and numbered
36 x 48 in
Edition of 100
SOLD
Lotus *
1980
Original screenprint in colors with embossing on Arches wove paper
Signed by the artist in pencil, dated, and numbered
31 1/2 x 42 1/8 in. (80 x 107 cm), unframed
Edition of 100
(Heenk 222)
SOLD
Howard Hodgkin is a British printmaker and painter, born in London in 1932. He studied at the Camberwell School of Art and the Bath Academy of Art. He began exhibiting seriously at the age of 30. Hodgkin works in generally a small scale, often painting in a gestural style with flat colors. He often refers to memories and private experiences, but deliberately avoids the illustrational. Though his works are small and appear spontaneous, they are the result of a constant process of over-painting, sometimes extending over many years.
Hodgkin has also produced many prints, with a preference for screen-printing and lithography in his earlier works of the 60’s and 70’s. However, for his more recent work, Hodgkin has favored etchings and aquatint, as these provide a greater emphasis on texture. To further create a layering effect in his prints, Hodgkin sometimes hand-colors the image after printing.
In 1985, Hodgkin won the Turner Prize and took part in the Venice Biennale. He taught for some years at the Charterhouse School, then the Bath Academy of Art, and finally the Chelsea School of Art. He continues to exhibit frequently. The Tate Gallery in London has an impressive collection of his work.
Candida Hofer is an architectural photographer. Her photographs are quiet and grave, yet filled with color and incident. For the most part empty of human …
David Hockney has received great critical acclaim. From the representational nature of his more serious portraits to the depictions of the Californian landscape, his style …
Hodgkin, Howard
1981-82 Original lithograph with hand-coloring on Arches paper Signed in pencil, dated and numbered 36 x 60 in. (91.5 x 152.5 cm), unframed Edition of 100 (H. 67) SOLD1986 Color etching and aquatint with carborundum and hand-coloring Monogrammed by the artist in pencil, dated and numbered 18 1/2 x 25 1/4 in. (47 x 64 cm), unframed Edition of 100 (H. 73) SOLD2015 Original screenprint in colors on Somerset mould-made paper with deckled edges Monogrammed in pencil, dated and numbered 16 7/8 x 18 1/2 in. (43 x 47 cm), unframed Edition of 75 SOLD1986 Original lift-ground etching with aquatint and carborundum with hand-coloring Monogrammed by the artist in pencil, dated and numbered 24 x 30 (61 x 76 cm), unframed Edition of 100 (H. 74) SOLD2003 Original screenprint in colors on wove paper Monogrammed by the artist in pencil, dated and numbered 32 3/8 x 36 1/4 in. (82.2 x 91.7 cm) Edition of 108 (Published by Lincoln Center for the Performing Arts, NYC) SOLD1980 Etching with hand-coloring Signed and numbered 32 ½ x 41 Edition of 100 SOLD1979-85 Etching with hand-coloring Signed and numbered 8 ¼ x 11 in Edition of 100 SOLD1979 Etching with hand-coloring Signed and numbered 29 ½ x 39 in Edition of 100 SOLD1980 Lithograph with hand-coloring in two panels Signed and numbered 44 x 55 ¼ in (combined size) Edition of 100 SOLD1982 Lithograph with hand-coloring Signed and numbered 36 x 48 in Edition of 100 SOLD1980 Original screenprint in colors with embossing on Arches wove paper Signed by the artist in pencil, dated, and numbered 31 1/2 x 42 1/8 in. (80 x 107 cm), unframed Edition of 100 (Heenk 222) SOLDHodgkin has also produced many prints, with a preference for screen-printing and lithography in his earlier works of the 60’s and 70’s. However, for his more recent work, Hodgkin has favored etchings and aquatint, as these provide a greater emphasis on texture. To further create a layering effect in his prints, Hodgkin sometimes hand-colors the image after printing.
In 1985, Hodgkin won the Turner Prize and took part in the Venice Biennale. He taught for some years at the Charterhouse School, then the Bath Academy of Art, and finally the Chelsea School of Art. He continues to exhibit frequently. The Tate Gallery in London has an impressive collection of his work.