1991
(from The Way We Live Now)
Lift-ground aquatint with hand-coloring on Ingres-Fabriao paper
Monogrammed by the artist in pencil, dated and numbered
11 11/16 x 16 15/16 in. (29.7 x 43 cm)
Edition of 50
(Heenk 217)
Listening Blue Ear *
1986
Lift-ground etching and aquatint, with carborundum, with hand-coloring
Signed and numbered
24 x 30 in
Edition of 100
Artist and Model
1980
Etching with hand-coloring
Signed and numbered
32 ½ x 41
Edition of 100
David’s Pool at Night *
1979-85
Etching and aquatint with hand-coloring
Signed and numbered
25 1/8 x 31 in
Edition of 100
DH in Hollywood *
1979-85
Etching with hand-coloring
Signed and numbered
8 ¼ x 11 in
Edition of 100
Late Afternoon in the Museum of Modern Art
1979
Etching with hand-coloring
Signed and numbered
29 ½ x 39 in
Edition of 100
Moonlight (diptych) *
1980
Lithograph with hand-coloring in two panels
Signed and numbered
44 x 55 ¼ in (combined size)
Edition of 100
Two to Go *
1982
Lithograph with hand-coloring
Signed and numbered
36 x 48 in
Edition of 100
Lotus
1980
Original screenprint in colors with embossing on Arches wove paper
Signed by the artist in pencil, dated, and numbered
31 1/2 x 42 1/8 in. (80 x 107 cm), unframed
Edition of 100
(Heenk 222)
A remarkable original screenprint with embossing
created by Howard Hodgkin in 1980, Lotus is a
beautiful and highly collectible work of art
measuring 29 1/8 x 36 in (74 x 91.4 cm), unframed,
in an edition of 100 as issued.
Howard Hodgkin is a British printmaker and painter, born in London in 1932. He studied at the Camberwell School of Art and the Bath Academy of Art. He began exhibiting seriously at the age of 30. Hodgkin works in generally a small scale, often painting in a gestural style with flat colors. He often refers to memories and private experiences, but deliberately avoids the illustrational. Though his works are small and appear spontaneous, they are the result of a constant process of over-painting, sometimes extending over many years.
Hodgkin has also produced many prints, with a preference for screen-printing and lithography in his earlier works of the 60’s and 70’s. However, for his more recent work, Hodgkin has favored etchings and aquatint, as these provide a greater emphasis on texture. To further create a layering effect in his prints, Hodgkin sometimes hand-colors the image after printing.
In 1985, Hodgkin won the Turner Prize and took part in the Venice Biennale. He taught for some years at the Charterhouse School, then the Bath Academy of Art, and finally the Chelsea School of Art. He continues to exhibit frequently. The Tate Gallery in London has an impressive collection of his work.
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Hodgkin, Howard
Hodgkin has also produced many prints, with a preference for screen-printing and lithography in his earlier works of the 60’s and 70’s. However, for his more recent work, Hodgkin has favored etchings and aquatint, as these provide a greater emphasis on texture. To further create a layering effect in his prints, Hodgkin sometimes hand-colors the image after printing.
In 1985, Hodgkin won the Turner Prize and took part in the Venice Biennale. He taught for some years at the Charterhouse School, then the Bath Academy of Art, and finally the Chelsea School of Art. He continues to exhibit frequently. The Tate Gallery in London has an impressive collection of his work.