-
Amants *
1980
Bronze sculpture with patina and spot polish
Artist’s inscribed signature and edition number (on base)
19 1/2 x 8 1/4 x 7 in. (50 x 21 x 18 cm.)
Edition of 300
SOLD
-
Aphrodite *
1986
Bronze sculpture with patina and spot polish
Artist’s inscribed signature and edition number (on base)
19 1/2 x 12 x 6 in. (50 x 30.5 x 15.2 cm.)
Edition of 375
SOLD
-
Astra *
1988
Cast bronze sculpture with blue patina and spot polish
Inscribed signature and number (on base)
19 ½ x 11 x 7 ½ inches (50 x 28 x 19 cm)
Edition of 500
SOLD
-
Elegance *
1982
Cast bronze sculpture with brown and black patina
Inscribed signature and number (on base)
15 ¾ x 12 x 6 inches (40 x 30.5 x 15.3 cm)
Edition of 250
SOLD
-
Emerald Vase I (white) *
1986
Serigraph on paper
Signed by the artist in pencil and numbered
44 x 32 inches (111.8 x 81.3 cm)
Edition of 300
SOLD
-
Flights of Love *
1989
Baccarat crystal and polished bronze
Signed and numbered (with etched ‘Baccarat” on vase)
16 ¾ x 13 x 6 ½ inches (42.5 x 33 x 16.5 cm)
Edition of 395
(Designed by Erté for Baccarat)
SOLD
-
Flute Majestique *
1990
An elongated French crystal champagne flute
With the artist's etched signature at base
11 7/8 in. (30.2 cm)
(with original box)
SOLD
-
L'Amour *
1986
Bronze sculpture with patina and spot polish
Artist’s inscribed signature and edition number (on base)
21 1/4 x 8 x 7 3/4 in. (54 x 20.32 x 19.7 cm)
Edition of 375
SOLD
-
Les Heures se Suivant *
1935
Gouache on paper
Stamp signed, Erte
10 1/2 x 10 1/2 in. (26,7 x 26.7 cm)
Unique work on paper
(Hand-titled, dated with catalogue serial number in pencil, verso)
SOLD
-
Liberty: Fearless and Free *
1984
Cast bronze sculpture
Inscribed signature and number (on base)
27 ½ x 12 x 5 inches (70 x 30.5 x 12.7 cm)
Edition of 500
SOLD
-
Peace *
1984
Cast bronze sculpture
Inscribed signature and number (on base)
26 1/2 x 12 x 6 in. (67.3 x 30.5 x 15.3 cm)
Edition of 500
SOLD
-
Premiere Dame Hindoue *
1919
Original gouache on paper
Signed by the artist (recto), dated (verso)
12 1/2 x 8 in. (31.8 x 20.3 cm), unframed
With certification stamp, artist's written description, title, notes, catalogue number and estate stamp (verso)
SOLD
-
Sea Maidens *
1985
Cast bronze and Baccarat crystal
Etched signatures of both Erte and Baccarat, numbered
13 1/4 x 13 1/2 in (33.7 x 34.3 cm)
Edition of 199
SOLD
-
The Globe *
1985
Cast bronze sculpture with red and 23k white-gold patina
Inscribed signature and edition number (on base)
23 x 12 x 6 in. (58.4 x 30.5 x 15.3 cm)
Edition of 250
SOLD
-
Wings of Victory *
1978
Original screenprint on paper
Hand signed in pencil by the artist, numbered
27 x 19 inches
Edition of 325
SOLD
-
Untitled *
1978
Gouache on paper
Signed (lower right) and titled (verso) in pen.
Also marked "Aussedat et Cie a Annecy" (verso).
14 ⅖ x 10 ½ inches (37.1 x 26.7 cm)
SOLD
-
Symphony in Black *
1983
Serigraph on paper
Signed in pencil and numbered
25 ½ x 19 inches (64.8 x 48.3 cm)
Edition of 300
SOLD
-
Beauty and the Beast *
1985
Serigraph on paper
Signed by the artist in pencil and numbered
24 ½ x 21 ½ inches (62.2 x 54.6 cm)
Edition of 300
SOLD
Erté was born Romain de Tirtoff in St. Petersburg, Russia, in 1892. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia’s social elite. As a young boy, he was fascinated by the Persian miniatures he found in his father’s library. These exotic, brightly-patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erté from the French.
The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film, and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city’s most established couturiers. In 1915, he began an association with Harper’s Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work, as a result of the high visibility of this periodical, influenced an entire art movement that was to become known as Art Deco. Throughout this period, the artist also created original costume and fashion designs for many of the era’s most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His creations for the stage included extravagant designs for productions at such venues as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera, as well as for the Folies-Bergères and George White’s Scandals.
At the age of 75, Erté was encouraged to embark on a new career and began to recreate the remarkable designs of his youth in bronze and serigraphy. The Art Deco movement was hence reborn. A lifetime of international success and recognition has ensured this unique artist’s place in the annals of art history, and his original designs grace the permanent collections of prestigious museums throughout the world including New York’s Metropolitan Museum of Art, Museum of Modern Art, the Smithsonian Institution, and London’s Victoria & Albert Museum.
Erté is perhaps best remembered for the gloriously extravagant costumes and stage sets that he designed for the Folies-Bergère in Paris and George White’s Scandals in New York, which exploit to the full his taste for the exotic and romantic and his appreciation of the sinuous and lyrical human figure.
Erté (Romaine de Tirtoff)
1980 Bronze sculpture with patina and spot polish Artist’s inscribed signature and edition number (on base) 19 1/2 x 8 1/4 x 7 in. (50 x 21 x 18 cm.) Edition of 300 SOLD
1986 Bronze sculpture with patina and spot polish Artist’s inscribed signature and edition number (on base) 19 1/2 x 12 x 6 in. (50 x 30.5 x 15.2 cm.) Edition of 375 SOLD
1988 Cast bronze sculpture with blue patina and spot polish Inscribed signature and number (on base) 19 ½ x 11 x 7 ½ inches (50 x 28 x 19 cm) Edition of 500 SOLD
1982 Cast bronze sculpture with brown and black patina Inscribed signature and number (on base) 15 ¾ x 12 x 6 inches (40 x 30.5 x 15.3 cm) Edition of 250 SOLD
1986 Serigraph on paper Signed by the artist in pencil and numbered 44 x 32 inches (111.8 x 81.3 cm) Edition of 300 SOLD
1989 Baccarat crystal and polished bronze Signed and numbered (with etched ‘Baccarat” on vase) 16 ¾ x 13 x 6 ½ inches (42.5 x 33 x 16.5 cm) Edition of 395 (Designed by Erté for Baccarat) SOLD
1990 An elongated French crystal champagne flute With the artist's etched signature at base 11 7/8 in. (30.2 cm) (with original box) SOLD
1986 Bronze sculpture with patina and spot polish Artist’s inscribed signature and edition number (on base) 21 1/4 x 8 x 7 3/4 in. (54 x 20.32 x 19.7 cm) Edition of 375 SOLD
1935 Gouache on paper Stamp signed, Erte 10 1/2 x 10 1/2 in. (26,7 x 26.7 cm) Unique work on paper (Hand-titled, dated with catalogue serial number in pencil, verso) SOLD
1984 Cast bronze sculpture Inscribed signature and number (on base) 27 ½ x 12 x 5 inches (70 x 30.5 x 12.7 cm) Edition of 500 SOLD
1984 Cast bronze sculpture Inscribed signature and number (on base) 26 1/2 x 12 x 6 in. (67.3 x 30.5 x 15.3 cm) Edition of 500 SOLD
1919 Original gouache on paper Signed by the artist (recto), dated (verso) 12 1/2 x 8 in. (31.8 x 20.3 cm), unframed With certification stamp, artist's written description, title, notes, catalogue number and estate stamp (verso) SOLD
1985 Cast bronze and Baccarat crystal Etched signatures of both Erte and Baccarat, numbered 13 1/4 x 13 1/2 in (33.7 x 34.3 cm) Edition of 199 SOLD
1985 Cast bronze sculpture with red and 23k white-gold patina Inscribed signature and edition number (on base) 23 x 12 x 6 in. (58.4 x 30.5 x 15.3 cm) Edition of 250 SOLD
1978 Original screenprint on paper Hand signed in pencil by the artist, numbered 27 x 19 inches Edition of 325 SOLD
1978 Gouache on paper Signed (lower right) and titled (verso) in pen. Also marked "Aussedat et Cie a Annecy" (verso). 14 ⅖ x 10 ½ inches (37.1 x 26.7 cm) SOLD
1983 Serigraph on paper Signed in pencil and numbered 25 ½ x 19 inches (64.8 x 48.3 cm) Edition of 300 SOLD
1985 Serigraph on paper Signed by the artist in pencil and numbered 24 ½ x 21 ½ inches (62.2 x 54.6 cm) Edition of 300 SOLD
The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film, and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city’s most established couturiers. In 1915, he began an association with Harper’s Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work, as a result of the high visibility of this periodical, influenced an entire art movement that was to become known as Art Deco. Throughout this period, the artist also created original costume and fashion designs for many of the era’s most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His creations for the stage included extravagant designs for productions at such venues as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera, as well as for the Folies-Bergères and George White’s Scandals.
At the age of 75, Erté was encouraged to embark on a new career and began to recreate the remarkable designs of his youth in bronze and serigraphy. The Art Deco movement was hence reborn. A lifetime of international success and recognition has ensured this unique artist’s place in the annals of art history, and his original designs grace the permanent collections of prestigious museums throughout the world including New York’s Metropolitan Museum of Art, Museum of Modern Art, the Smithsonian Institution, and London’s Victoria & Albert Museum.
Erté is perhaps best remembered for the gloriously extravagant costumes and stage sets that he designed for the Folies-Bergère in Paris and George White’s Scandals in New York, which exploit to the full his taste for the exotic and romantic and his appreciation of the sinuous and lyrical human figure.